herman de vries in Stedelijk Museum Schiedam. Kleine monumentjes voor de vergankelijkheid

Gepubliceerd op: 16 October 2014

Bovenin de nok van het Schiedams stedelijk museum zitten de plantaardige geheimen van herman de vries. Zijn naam, inderdaad, altijd in kleine letters, om hiërarchie te vermijden. Zijn werk daarentegen is zo groot als het moet zijn.

Fotogalerij

Praktische Info

‘herman de vries. All’ tot 18 januari 2015 in Stedelijk Museum Schiedam, Hoogstraat 112, Schiedam, NL. Open di-zo van 10-17 u. www.stedelijkmuseumschiedam.nl
Parallel aan de tentoonstelling zijn in de Ketelfactory, Hoofdstraat 44, Schiedam recente tekeningen van de vries te zien in de expositie ‘no thing. herman de vries’ www.ketelfactory.nl

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Bovenin de nok van het Schiedams stedelijk museum zitten de plantaardige geheimen van herman de vries. Zijn naam, inderdaad, altijd in kleine letters, om hiërarchie te vermijden. Zijn werk daarentegen is zo groot als het moet zijn.

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‘herman de vries. All’ tot 18 januari 2015 in Stedelijk Museum Schiedam, Hoogstraat 112, Schiedam, NL. Open di-zo van 10-17 u. www.stedelijkmuseumschiedam.nl
Parallel aan de tentoonstelling zijn in de Ketelfactory, Hoofdstraat 44, Schiedam recente tekeningen van de vries te zien in de expositie ‘no thing. herman de vries’ www.ketelfactory.nl

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De nieuwe tentoonstelling in kunsthal Extra City in Antwerpen laat zich inspireren door de Bradshaw paintings, Australische rotsschilderingen van vermoedelijk veertigduizend jaar oud. H ART stuurde twee recensenten, Pieter Vaan Bogaert met een globale kijk, Sue Spaid met een inzoom op de kunstenaars en hun werken zelf.

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‘Allegory of the cave painting’ tot 7 december in Extra City Kunsthal Antwerpen, Eikelstraat 25, Antwerpen. Open wo-zo van 13-18 u. www.extracitykunsthal.org

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Voor de vierde keer in haar geschiedenis nodigt het Frans Masereel Centrum een hedendaagse kunstenaar uit om op residentie te komen en nieuw werk te maken in het atelier. Na onder meer Anne-Mie van Kerckhoven en Gowara Minsa, is het nu de beurt aan de Schotse beeldhouwster Carla Scott Fullerton.

Het uitgangspunt van de residentie is een solo-tentoonstelling, met de focus op het grafische experiment. De kunstenaar wordt uitgedaagd om de druktechnieken kritisch te bevragen en in relatie te plaatsen tot zijn/ haar artistieke oevre. In het geval van Scott Fullerton, vertrekt haar beeldend werk vanuit een fascinatie voor bouwconstructies in alle vormen en maten. Dit resulteert veelal in abstracte composities die de lege ruimte op papier of de tentoonstellingsruimte ondervragen. Het volledige sculpturale en aldus grafische vocabulaire van Fullerton, bestaat uit architecturale materialen: kitsch behangpapier met een patroon van tegeltjes wordt gecombineerd met vlakken cement; imaginaire landschappen vinden hun oorsprong in millimeterpapier.

De resultaten van Fullteron’s onderzoek naar het spanningsveld tussen 2D en 3D zijn nog tot 15 december te zien in het Frans Masereel Centrum in Kasereel.

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Docu-press 4: Carla Scott Fullerton
nog tot 15 december in het
Frans Masereel Centrum
Masereeldijk 5, Kasterlee
Open ma – vrij 9-17 u.

www.fransmasereelcentrum.be

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