HART zag: RIBOCA 1 – Riga International Biennial of Contemporary Art

Gepubliceerd op: 5 June 2018

De snelheid waarmee onze maatschappij verandert, de onzekerheid die hieraan gepaard is, het uiten van verwachtingen en voorspellingen samen met een oproep tot onthaasting vormt de rode draad doorheen het 'Everything Was Forever, Until It Was No More'-concept dat curator Katerina Gregos voor de 1e Riga biënnale voor hedendaagse kunst bedacht. Tevens willen de energieke en idealistische organisatoren het idee biënnale een nieuwe wind geven door een eerlijke samenwerking met de kunstenaars na te streven, zich af te zetten van stadsmarketing en zo goed als geen klinkende namen als vliegenvanger te gebruiken.

Op acht uiterst markante locaties stellen in totaal 104 kunstenaars, waaronder 10 collectieven, tentoon. In totaal gaf de biënnale 49 nieuwe creatie opdrachten. Op enkele uitzonderingen na ligt het zwaartepunt van de tentoonstelling op  kunstenaars uit te Baltische Staten en landen die op een of andere wijze een postieve of negatieve historiek hebben met Letland. Zoals het werk 'Zwei Äpfel' (2017) van de Duitste kunstenaars Michael Sailstorfer geeft 'Everything Was Forover, Until It Was No More' in haar bevraging, poëzie, en mijmering over verleden, heden en toekomst een regelmatige stroomstoot die je prikkelt en alert houdt.

Cis BIERINCKX

In H ART #183 (19 juli) kunt u een uitgebreid verslag van de hand van Cis Bierinckx over RIBOCA 1 verwachten.

Fotogalerij

Praktische Info

RIBOCA 1 tot 289 oktober in Riga. www.rigabiennial.com

Keywords

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De snelheid waarmee onze maatschappij verandert, de onzekerheid die hieraan gepaard is, het uiten van verwachtingen en voorspellingen samen met een oproep tot onthaasting vormt de rode draad doorheen het 'Everything Was Forever, Until It Was No More'-concept dat curator Katerina Gregos voor de 1e Riga biënnale voor hedendaagse kunst bedacht. Tevens willen de energieke en idealistische organisatoren het idee biënnale een nieuwe wind geven door een eerlijke samenwerking met de kunstenaars na te streven, zich af te zetten van stadsmarketing en zo goed als geen klinkende namen als vliegenvanger te gebruiken.

Op acht uiterst markante locaties stellen in totaal 104 kunstenaars, waaronder 10 collectieven, tentoon. In totaal gaf de biënnale 49 nieuwe creatie opdrachten. Op enkele uitzonderingen na ligt het zwaartepunt van de tentoonstelling op  kunstenaars uit te Baltische Staten en landen die op een of andere wijze een postieve of negatieve historiek hebben met Letland. Zoals het werk 'Zwei Äpfel' (2017) van de Duitste kunstenaars Michael Sailstorfer geeft 'Everything Was Forover, Until It Was No More' in haar bevraging, poëzie, en mijmering over verleden, heden en toekomst een regelmatige stroomstoot die je prikkelt en alert houdt.

Cis BIERINCKX

In H ART #183 (19 juli) kunt u een uitgebreid verslag van de hand van Cis Bierinckx over RIBOCA 1 verwachten.

[cnt_info] =>

RIBOCA 1 tot 289 oktober in Riga. www.rigabiennial.com

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H ART trok n aar aanleiding van de kunstbeurs SP-Arte naar São Paulo om de (zwoele) temperatuur op te nemen van een kunstscene die schijnt te boomen. Een scene waar kunst en architectuur een nauwe alliantie aangaan.

Sam STEVERLYNCK

[cnt_info] =>
33e Sao Paulo Biennale van 7 september tot 9 december. www.bienal.org.br   
www.sp-arte.com/en/home, www.auroras.art.br, www.pivo.org.br
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Een snelle impressie van Manifesta 12 in Palermo

Verspreid over de stad, in de meest prachtige historische gebouwen ontvouwt zich Manifesta 12, die afgelopen zaterdag 16 juni begon. De kunst moet stevig concurreren met de stadspaleizen, de tuinen, waar het verval al lang geleden toegeslagen heeft. Sommige locaties worden gerenoveerd, vaak door particuliere initiatiefnemers. Deze Manifesta voelt aan alle kanten urgent: vluchtelingen worden door burgemeester Leoluca Orlando welkom geheten en gastvrij  in de stad opgenomen. Een aantal verhaallijnen, uitgezet door de vier curatoren Ippolito Pestellini Laparelli, Bregtje van der Haak, Mirjam Varadinis, and Andrés Jaque raakt aan locale, maar ook internationale thema’s van deze tijd: migratie, uitwisseling en kruisbestuiving, de rol van het individu tegenover abstracte machten en krachten van politiek en maffia. De geschiedenis van het eiland en de kunst stuwen elkaar op.

In kerken en paleizen, maar ook de Hortus Botanicus ontvouwt zich een verhaal over macht en mensen, over stromen van kennis, informatie, personen over de aardbol. Theatro Garibaldi is een jaar voor de opening van Manifesta opgeknapt en in bedrijf, om de bewoners van Palermo te betrekken.

Planetary Garden is als denkmodel voor de aardbol als tuin afkomstig van landschapsarchitect Gilles Clement. Hij werkte mee aan de tuin in het betonnen wooncomplex ZEN 2 dat gebukt gaat onder armoede. De tuin zal blijvend zijn, en worden geadopteerd door de bewoners van ZEN 2.

Wat u hier ziet is een korte beeldimpressie van Manifesta in Palermo, in het julinummer verschijnt het artikel over 'Manifesta 12, The Planetary Garden. Cultivating Coexistence'.

Machteld LEIJ

 

[cnt_info] =>

Teatro Garibaldi, het startpunt van Manifesta 12. m12.manifesta.org

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De huizen werden in de jaren tachtig door de maffia gebouwd in een natuurgebied. 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