Guy Schraenen overleden

Gepubliceerd op: 20 November 2018

De Belgische curator, uitgever en essayist Guy Schraenen is overleden. Hij werd 77. In 1974 was hij co-oprichter van het befaamde Archive for Small Press and Communication (ASPC). Dat maakte deel uit van een belangrijk internationaal netwerk binnen de onafhankelijke kunstpers. Schraenen werd beroemd in de kunstwereld voor zijn onverdroten werk met kunstenaars en kunstenaarsarchieven. Via vele initiatieven, onder meer zijn eigen Archive Space, steunde hij kunstenaars uit de hele wereld. Met name zijn werk voor Poolse kunstenaars in de jaren zeventig bleek een grote steun voor hun internationale doorstroming.

Schraenen leidde van 1966 tot 1976 ook Galerie Kontakt in Antwerpen, waar hij werk van onder meer Jef Geys, Georges Vantongerloo, Lucio Fontana en anderen toonde. Hij had ook een eigen uitgeverij, Guy Schraenen Editeur, waarmee hij een stroom uitgaves publiceerde.

In 1989 werd Schraenen curator van de collectie kunstenaarspublicaties ‘A Museum within a Museum’ in het Museum Weserburg in Bremen. Dat museum nam in 1999 ook het Archive for Small Press and Communication over.

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De Belgische curator, uitgever en essayist Guy Schraenen is overleden. Hij werd 77. In 1974 was hij co-oprichter van het befaamde Archive for Small Press and Communication (ASPC). Dat maakte deel uit van een belangrijk internationaal netwerk binnen de onafhankelijke kunstpers. Schraenen werd beroemd in de kunstwereld voor zijn onverdroten werk met kunstenaars en kunstenaarsarchieven. Via vele initiatieven, onder meer zijn eigen Archive Space, steunde hij kunstenaars uit de hele wereld. Met name zijn werk voor Poolse kunstenaars in de jaren zeventig bleek een grote steun voor hun internationale doorstroming.

Schraenen leidde van 1966 tot 1976 ook Galerie Kontakt in Antwerpen, waar hij werk van onder meer Jef Geys, Georges Vantongerloo, Lucio Fontana en anderen toonde. Hij had ook een eigen uitgeverij, Guy Schraenen Editeur, waarmee hij een stroom uitgaves publiceerde.

In 1989 werd Schraenen curator van de collectie kunstenaarspublicaties ‘A Museum within a Museum’ in het Museum Weserburg in Bremen. Dat museum nam in 1999 ook het Archive for Small Press and Communication over.

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Kunstencentrum ARGOS in Brussel verwelkomt vanaf 1 december 2018 Niels Van Tomme als nieuwe algemeen directeur. Van Tomme ging na zijn studies (RITSC en KU-Leuven) aan de slag als directeur kunst en media bij Provisions Library (Washington, DC), gevolgd door een benoeming als curator bij het Center For Art, Design and Visual Culture (Baltimore). Hij doceerde aan Belgische en Nederlandse kunstinstituten en aan universiteiten in de Verenigde Staten, waar hij het onderzoek voerde naar nieuwe modellen voor kunst en cultuur in een inclusieve maatschappij.

Van Tomme was sinds 2016 directeur van De Appel in Amsterdam. Dit kunstencentrum heeft heel wat gemeen met Argos. Werkend op gelijkaardige schaal en met een vergelijkbare missie richt het zich op een open, kritische en verbindende dialoog.

In een kort statement stelt Van Tomme: “Ik kijk er erg naar uit om mijn internationale netwerk en recente ervaringen in Amsterdam naar de uitdagende context van Argos en de stad Brussel te brengen. Ik geloof dat dit unieke kunstinstituut met zijn bijzondere geschiedenis een open en diverse grootstedelijke context kan voorstaan, met veel ruimte voor experiment, reflectie en verandering, zowel op artistiek als maatschappelijk niveau.”

Niels Van Tomme volgt Rolf Quaghebeur op in deze functie. Quaghebeur werd recent directeur bij het kunstencentrum Kaap (Brugge – Oostende).

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The curated fair POPPOSITIONS, which encourages new, experimental and innovative approaches to the art market has launched its open call for its 2019 Edition.
 
For the third edition in a row, Niekolaas Johannes Lekkerkerk (The Office for Curating, NL) is the artistic director. He will be running, together with Rachelle Dufour as the new fair director, the 8th edition of POPPOSITIONS coinciding with the Art Brussels week from 25 to 28 April 2019.
 
The 8th edition of POPPOSITIONS will revolve around the term ‘woke’. The idea of being woke and wokeness concerns raising social awareness, taking actions in response to dominant paradigms, acknowledging one’s privileges towards understanding the struggles of others, and giving space to social bodies that have been silenced, unacknowledged and underrepresented. POPPOSITIONS wants to think collectively about what responses and forms of resistance can be formulated when ideologies have become trendy and woke-washing brands cash in on social justice.
 
The jury members for this edition are Diana Campbell Betancourt (Artistic Director at Samdani Art Foundation, BD, Chief Curator at Dhaka Art Summit,), Jessica Gysel (Founder of Girls Heart Brussels, Editor at Girls Like Us), Niekolaas Johannes Lekkerkerk (Curator and writer at The Office for Curating), Hana Miletic (Brussels and Zagreb based artist) and Christophe Veys (Collection Veys-Verhaevert, BE).
 
The application deadline is on 31 December.
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