Gezien: Jeffrey Silverthorne in FoMu Antwerpen

Gepubliceerd op: 19 February 2015

Op 19 februari opende een retrospectieve tentoonstelling van de Amerikaanse fotograaf Jeffrey Silverthorne in het Antwerpse FoMu. Onze fotorecensent, Bert Danckaert, was er bij.
Op de persconferentie gaf Silverthorne een rondleiding en vroeg zich af of de mensen die om hem heen stonden er wel werkelijk waren. Uiteindelijk zien we toch slechts (net zoals in een foto) licht dat reflecteert op mensen en objecten en is alles slechts een hologram of een illusie. Die naïeve nieuwsgierigheid is complexer dan je zou verwachten.

Lees er over in H ART #139.

Praktische Info

Jeffrey Silverthorne, 'The Precision of Silence'  van 20 februari tot 7 juni in Fotomuseum Antwerpen. www.fotomuseum.be

Keywords

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Op 19 februari opende een retrospectieve tentoonstelling van de Amerikaanse fotograaf Jeffrey Silverthorne in het Antwerpse FoMu. Onze fotorecensent, Bert Danckaert, was er bij.
Op de persconferentie gaf Silverthorne een rondleiding en vroeg zich af of de mensen die om hem heen stonden er wel werkelijk waren. Uiteindelijk zien we toch slechts (net zoals in een foto) licht dat reflecteert op mensen en objecten en is alles slechts een hologram of een illusie. Die naïeve nieuwsgierigheid is complexer dan je zou verwachten.

Lees er over in H ART #139.

[cnt_info] =>

Jeffrey Silverthorne, 'The Precision of Silence'  van 20 februari tot 7 juni in Fotomuseum Antwerpen. www.fotomuseum.be

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Het is niet de eerste keer dat Tamara Dees (°1971, woont en werkt in Koewacht en Hulst) in Antwerpen tentoonstelt; eerder was haar werk al te zien in Spaceburo. Anders dan die ruimte vraagt WOOT om naar buiten gerichte projecten – die liefst betrekking hebben op de buurt zelf, zijnde de wijk Luchtbal die tegen de oude haven aangeplakt ligt en veel sociale woningen herbergt –, of projecten die de buurt naar binnen trekken. En dus begon Dees de buurt te verkennen, via Google Earth. Op de beelden ontdekte ze overal in de haven vreemde stapelingen van allerlei achtergelaten materialen, bijna als kunstwerken, sokkels of monumenten. Ze maakte er kleine pentekeningen van (een aantal daarvan staan in de kleine publicatie bij de tentoonstelling) en liet zich er door inspireren om voor WOOT een soortgelijke stapeling te maken met er bovenop een boot.

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Tamara Dees, ‘Monument’ tot 14 maart in WOOT, Bostonstraat 30, Antwerpen. Open za van 14-18 u. www.oottt.be

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Koen Taselaar (°1986, Rotterdam) tekent, zeefdrukt en maakt ruimtelijk werk en is behoorlijk ‘upcoming’ in Nederland: hij is genomineerd voor De Volkskrant Beeldende Kunst Prijs 2015, had een behoorlijk goedbezochte presentatie bij Francis Boeske Projects op Art Rotterdam en toonde daar onder andere een stukje van het zwartwit geblokte linoleumpatroon dat hij ontwikkelde voor de Noord/Zuidlijn in Amsterdam.

Kenmerkend voor het werk van Taselaar is de afwisseling van geometrische patronen en letters waarmee hij hele vlakken vult, dit in een stijl die refereert aan verschillende popculturen: comics, de skate cultuur, alternatieve muziek…

Taselaar maakt ook graag boekjes in eigen beheer. Zo is het bijzonder mooie ‘Words On Paper Words In Books’ (januari 2015) het tweede deel in een ‘words-trilogie’, gedrukt in een oplage van 300 stuks. Het eerste deel ‘Big Words Empty Chords’ kwam uit in 2009.

 

 

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Het boekje kan via de kunstenaar besteld worden voor 15 euro op koentaselaar.nl/
Werk van Koen Taselaar is tot 12 april te zien in de tentoonstelling de Volkskrant Beeldende Kunst Prijs 2015 in Stedelijk Museum Schiedam, www.stedelijkmuseumschiedam.nl
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