Gezien: Art Rotterdam 2015

Gepubliceerd op: 5 February 2015

Een aantal medewerkers van H ART reisden naar Rotterdam voor de opening van de Art Rotterdam. Wij merkten onder andere dit op:

De bar waar Jeanine Hofland en Barbara Seiler samen hun kunstenaars toonden
Het optreden van Joris Van de Moortel bij Stichting IK
De biljart-tafel met ballen van klei 'Dynamic exchange between fragments' van Nicolas Lamas bij Lokaal 01
Projecties van Renzo Martens en Hans Op de Beeck
De boten uit Den Haag van Denicolai & Provoost bij West Den Haag
De tekeningen van Koen Taselaar bij Francis Boeske …

Maar ook nog heel veel andere kunst, nog te zien tot 8 februari in de Van Nellefabriek in Rotterdam.

Fotogalerij

Praktische Info

www.artrotterdam.com

Keywords

Geen keywords beschikbaar.

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Een aantal medewerkers van H ART reisden naar Rotterdam voor de opening van de Art Rotterdam. Wij merkten onder andere dit op:

De bar waar Jeanine Hofland en Barbara Seiler samen hun kunstenaars toonden
Het optreden van Joris Van de Moortel bij Stichting IK
De biljart-tafel met ballen van klei 'Dynamic exchange between fragments' van Nicolas Lamas bij Lokaal 01
Projecties van Renzo Martens en Hans Op de Beeck
De boten uit Den Haag van Denicolai & Provoost bij West Den Haag
De tekeningen van Koen Taselaar bij Francis Boeske …

Maar ook nog heel veel andere kunst, nog te zien tot 8 februari in de Van Nellefabriek in Rotterdam.

[cnt_info] =>

www.artrotterdam.com

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'Waarover men niet spreken kan, daarover moet men zwijgen'

"Neen, dank u. Mag ik de uitleg achteraf alstublieft?" antwoord ik. Had me hier niet aan verwacht. Een Rothko pakt ook niet op foto. Het immense doek 'Sea of Madness' zuigt me naar zich toe. Ongrijpbaar zinderen de kleuren in het zintuiglijk ‘hier en nu’ op je af in hun totaliteit. Stilte, geen zoeken naar reden of bedoeling maar esthetisch genot tot je hersenen wegdromen in details van de alchimistische verflagen, spatten, brokken... curryhutsepot. De ongerepte Sri Lankese natuurpracht en rijkheid aan kleuren reizen je tegemoet. Woordeloos sta je daar. Je tintelende buik legt je hoofd het verklarend zwijgen op. Je herkennend begrippenapparaat springt plots verlost een vreugdesprong weg uit de terreur van de onbekende tijd waarin je bewustzijn vertoefde. Een benevelde draak duikt tevoorschijn uit één van de ontelbaar aaneengerijgde verfexplosies die voorheen één geheel vormden. Spelenderwijs zakt je oog nu de verffragmenten dolend af naar Oosterse vormen die zich ‘deugnietend’ aan je ontluiken.

Op de vernissage begroet Saskia Pintelon me bescheiden warm "Hoe is ‘t?" met haar Gentse tongval. Waarop ze vervolgt: "Pijnlijk is het om steeds weer op die vraag terug te komen van de bezoeker die er rationeel tracht uit te komen hoe mijn werk ontstaan is." "Wie wil dit nu trachten te begrijpen?’ vraag ik haar verwonderd. "Of waarom moet een kunstwerk eerst in een knellend kunstkader passen alvorens je ervan genieten mag?"

Gelukkig zijn zij en haar unieke beeldtaal gespaard gebleven van onze kunstwereld met haar kunsttheorie en dogma’s uit het institutionele Westerse. Op haar 30ste verhuisde ze naar Sri Lanka, na een mei ’68 en Sint-Lucas te Gent verkoos ze daar te blijven. Oosten en Westen ontmoeten elkaar duidelijk in haar figuratief oeuvre, opgesteld in de tentoonstelling in een harmonica opengetrokken boek en diavoorstelling. Deze gezichten, teksten zijn fijn om thuis doorheen te bladeren maar gaan teniet aan het effect van de grote doeken. Bovendien laten ze je vermoeden dat je dit soort werk al kent of gezien zou hebben waardoor je misschien dit bovenzinnelijk bezoek missen zou. Bedankt Saskia Pintelon en Joost Declerq, jullie opstelling bij daglicht geeft geen excuus meer voor ‘winter blues’. Mij weet je te vinden op een grijze kille dag… 

Eva KERREMANS

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Saskia Pintelon  'They did make a monkey curry' tot 14 februari in CAB, 32-34 Borrensstraat, 1050 Brussel. Curator Joost Declerq. www.cab.be

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Wat gebeurt er als je een kantoorsetting vol meubels en decoratieve elementen van Ikea op een totaal andere manier organiseert dan eigenlijk bedoeld? Nicolas Lamas (°1980, Lima) vroeg het zich af en maakte de vraag tot inzet van het eerste van drie projecten in Lokaal 01 in Antwerpen, dat tijdens Antwerp Art Weekend te zien was.

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De laatste werkperiode van Nicolas Lamas loopt van 27 februari tot 1 maart in de projectruimte van Lokaal 01, Provinciestraat 287, Antwerpen. Open vr-zo van 13-18 u. www.lokaal01.org

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