Gesprek met Otobong Nkanga in Martin-Gropius-Bau

Gepubliceerd op: 9 July 2019

‘Het probleem van vandaag is dat ‘wij’ gescheiden is van ‘zij’’

10 juni 2019. Het is bloedheet in Berlijn. Otobong Nkanga (°1974) ontvangt me in haar ruime, lichte studio in de Martin-Gropius-Bau, waar ze in residentie is. Beneden, in de projectruimte, vinden publieke events plaats als onderdeel van ‘Carved to Flow’, het project dat ze tijdens documenta 14 (2017) opstartte rond het produceren van zeep. Na de zomer, in september, opent een monografische tentoonstelling in Tate St. Ives, Cornwall. In april volgend jaar volgt een solo in de majestueuze Gropius-Bau. Het blijft behoorlijk hard gaan voor Otobong Nkanga, nochtans lijkt ze de rust zelve. Hoewel: ze heeft een intense, plastische manier van vertellen, en een innemende lach die me zonder meer doet smelten. Gelukkig draaien de ventilatoren in het atelier op volle toeren. Goed twee uur meandert ons gesprek langs leven en werk, van persoonlijk naar politiek, over het merkwaardige verloop van de tijd.

Pieter VERMEULEN

Fotogalerij

Praktische Info

‘Biennale Arte 2019: May You Live In Interesting Times’ tot 24 november in de Giardini en Arsenale, Venetië. www.labiennale.org

‘Otobong Nkanga’ 20 september 2019 tot 5 januari 2020 in Tate St. Ives, Porthmeor Beach, St. Ives, Cornwall. www.tate.org.uk

Keywords

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‘Het probleem van vandaag is dat ‘wij’ gescheiden is van ‘zij’’

10 juni 2019. Het is bloedheet in Berlijn. Otobong Nkanga (°1974) ontvangt me in haar ruime, lichte studio in de Martin-Gropius-Bau, waar ze in residentie is. Beneden, in de projectruimte, vinden publieke events plaats als onderdeel van ‘Carved to Flow’, het project dat ze tijdens documenta 14 (2017) opstartte rond het produceren van zeep. Na de zomer, in september, opent een monografische tentoonstelling in Tate St. Ives, Cornwall. In april volgend jaar volgt een solo in de majestueuze Gropius-Bau. Het blijft behoorlijk hard gaan voor Otobong Nkanga, nochtans lijkt ze de rust zelve. Hoewel: ze heeft een intense, plastische manier van vertellen, en een innemende lach die me zonder meer doet smelten. Gelukkig draaien de ventilatoren in het atelier op volle toeren. Goed twee uur meandert ons gesprek langs leven en werk, van persoonlijk naar politiek, over het merkwaardige verloop van de tijd.

Pieter VERMEULEN

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‘Biennale Arte 2019: May You Live In Interesting Times’ tot 24 november in de Giardini en Arsenale, Venetië. www.labiennale.org

‘Otobong Nkanga’ 20 september 2019 tot 5 januari 2020 in Tate St. Ives, Porthmeor Beach, St. Ives, Cornwall. www.tate.org.uk

[cnt_embed_youtube] => [cnt_highlight] => 0 [cnt_sticky] => 0 [cnt_date_created] => 2019-07-09 13:05:50 [cnt_date_last_modified] => 2019-07-09 13:51:10 [cnt_published] => 1 [cnt_publish_date_start] => 2019-07-09 [cnt_publish_date_end] => [online] => 1 [id_gallery] => 9815 [gal_content_id] => 2496 [gal_image_id] => 4390 [gal_image_order] => 0 [id_image] => 4390 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2019-07-09 [img_publish_date_end] => [img_title] => [img_caption] => Cover: foto genomen tijdens de performance ‘Contained Measures of a Kolanut’ in het Tropical House van UC Botanical Garden, Berkeley voor Otobong Nkanga / MATRIX 260 in het UC Berkeley Art Museum and Pacific Film Archive, 14 mei 2016, foto Charlie Vi [img_date_created] => 2019-07-09 13:06:43 [id_event] => [evt_content_id] => [evt_date_start] => [evt_date_end] => ) [categories] => Array ( [0] => stdClass Object ( [id_content] => 16 [cnt_type] => category [cnt_title] => Nieuws [cnt_url] => nieuws [cnt_content] => [cnt_info] => [cnt_embed_youtube] => [cnt_highlight] => 0 [cnt_sticky] => 0 [cnt_date_created] => 2014-04-23 16:05:39 [cnt_date_last_modified] => 2014-04-30 12:26:01 [cnt_published] => 1 [cnt_publish_date_start] => 2014-04-23 [cnt_publish_date_end] => ) [1] => stdClass Object ( [id_content] => 17 [cnt_type] => category [cnt_title] => Expo [cnt_url] => expo [cnt_content] => [cnt_info] => [cnt_embed_youtube] => [cnt_highlight] => 0 [cnt_sticky] => 0 [cnt_date_created] => 2014-04-23 16:05:56 [cnt_date_last_modified] => 2014-05-12 15:59:39 [cnt_published] => 1 [cnt_publish_date_start] => 2014-04-23 [cnt_publish_date_end] => ) [2] => stdClass Object ( [id_content] => 18 [cnt_type] => category [cnt_title] => Interviews & Opinie [cnt_url] => interviews-opinie [cnt_content] => [cnt_info] => [cnt_embed_youtube] => [cnt_highlight] => 0 [cnt_sticky] => 0 [cnt_date_created] => 2014-04-23 16:06:10 [cnt_date_last_modified] => 2014-05-12 14:25:21 [cnt_published] => 1 [cnt_publish_date_start] => 2014-04-23 [cnt_publish_date_end] => ) [3] => stdClass Object ( [id_content] => 21 [cnt_type] => category [cnt_title] => Dagboek [cnt_url] => dagboek [cnt_content] => [cnt_info] => [cnt_embed_youtube] => [cnt_highlight] => 0 [cnt_sticky] => 0 [cnt_date_created] => 2014-04-23 16:06:44 [cnt_date_last_modified] => 2019-02-22 17:42:17 [cnt_published] => 1 [cnt_publish_date_start] => 2014-04-23 [cnt_publish_date_end] => ) [4] => stdClass Object ( [id_content] => 215 [cnt_type] => category [cnt_title] => Vooraf [cnt_url] => vooraf [cnt_content] => [cnt_info] => [cnt_embed_youtube] => [cnt_highlight] => 1 [cnt_sticky] => 0 [cnt_date_created] => 2014-05-05 16:09:30 [cnt_date_last_modified] => [cnt_published] => 1 [cnt_publish_date_start] => 2014-05-05 [cnt_publish_date_end] => ) [5] => stdClass Object ( [id_content] => 1342 [cnt_type] => category [cnt_title] => Events [cnt_url] => events [cnt_content] => [cnt_info] => [cnt_embed_youtube] => [cnt_highlight] => 0 [cnt_sticky] => 0 [cnt_date_created] => 2015-09-23 12:55:36 [cnt_date_last_modified] => [cnt_published] => 1 [cnt_publish_date_start] => 2015-09-23 [cnt_publish_date_end] => ) ) [contentCategory] => stdClass Object ( [id_content] => 18 [cnt_type] => category [cnt_title] => Interviews & Opinie [cnt_url] => interviews-opinie [cnt_content] => [cnt_info] => [cnt_embed_youtube] => [cnt_highlight] => 0 [cnt_sticky] => 0 [cnt_date_created] => 2014-04-23 16:06:10 [cnt_date_last_modified] => 2014-05-12 14:25:21 [cnt_published] => 1 [cnt_publish_date_start] => 2014-04-23 [cnt_publish_date_end] => [cat_category_id] => 18 [cat_content_id] => 2496 ) [olderContent] => stdClass Object ( [id_content] => 2495 [cnt_type] => article [cnt_title] => Herinneringen aan Okwui Enwezor [cnt_url] => herinneringen-aan-okwui-enwezor [cnt_content] =>

Voor mij als jonge Nederlandse curator, opgeleid in een eenzijdig westerse, modernistische traditie, opende Enwezor de wereld en liet hij zien dat er ook in Afrika, Azië, Zuid-Amerika en het Midden-Oosten hedendaagse kunst van hoge kwaliteit werd gemaakt.

Naar aanleiding van het overlijden maart jongstleden van de bekende Nigeriaanse curator Okwui Enwezor (Biënnale van Venetië 2015, Documenta 11…), vroegen we Nina Folkersma om een aandenken aan hem te schrijven. Folkersma, freelance curator die ook een tijd in het S.M.A.K. in Gent heeft gewerkt, leerde Enwezor in 1997 kennen en kruiste sindsdien meermaals zijn pad.

Nina FOLKERSMA

 

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‘Je hoeft de bibliotheek echt niet fysiek te beleven om de kracht van het idee te ervaren. Vergelijk het met het mannetje dat op de maan gelegd is van Paul Van Hoeydonck. Het is een eenvoudig idee met een grote impact’

Eind 2018 werd de laatste hand gelegd aan de ‘Biblioteca del Sol’, het ondergrondse bouwwerk van de Belgische kunstenaar Louis De Cordier, alias Cosco. Het bevindt zich op een afgelegen plek op 2000 meter hoogte in het bekoorlijke berglandschap van de Alpujarras in Zuid-Spanje. Met het recent verschenen boek ‘Biblioteca Del Sol’ (Ludion, 2018) en de film ‘Timescale’ (2016) binnen handbereik, dompel ik me onder in het werk en zijn omgeving en droom even weg. We voeren een lang gesprek via WhatsApp. Weinigen zijn zo makkelijk bereikbaar als De Cordier.

Isabelle DE BAETS

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