‘Everything Was Forever, Until It Was No More’ van Konrad Smoleński in Netwerk Aalst

Gepubliceerd op: 22 January 2015

Iets nieuws moet je minstens een paar keer uitproberen om zicht te krijgen op alle denkbare mogelijkheden. Wanneer het oorspronkelijke idee uiteindelijk vorm krijgt, ontstaan er immers fenomenen die zelfs de maker niet verwachtte. Tot nu toe was ‘Everything Was Forever, Until It Was No More’ van Konrad Smoleński al op vier plaatsen te zien. Ziehier het verhaal van een kunstwerk dat op korte tijd verschillende metamorfoses onderging. Het werk is de centrale motor in de tentoonstelling ‘Orkest!’, die nu loopt in Netwerk Aalst. In de installatie komt alle geluid uit de gehele tentoonstelling dagelijks samen, om dan over te gaan in een resonerende noise voor het weer verdwijnt.
‘Orkest!’ biedt verder werk van Oliver Beer, Rubén D’hers, Nicolas Field, Julian Sartorius, Michael Schmid en Rutger Zuydervelt.

Praktische Info

Everything Was Forever, Until It Was No More – Time Test, Zachęta-National Gallery of Art, Warsaw 2014, p. 17-18. Daniel MUZYCZUK & Agnieszka PINDERA waren de curatoren voor het Poolse paviljoen in de Biënnale van Venetië 2013. Hans Bocxstael is curator van ‘Orkest!’.
‘Orkest!’ tot 6 maart in Netwerk / centrum voor hedendaagse kunst Houtkaai 15, Aalst. Open wo-vr van 11-17 u., za-zo van 14-18 u. www.netwerk-art.be

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Iets nieuws moet je minstens een paar keer uitproberen om zicht te krijgen op alle denkbare mogelijkheden. Wanneer het oorspronkelijke idee uiteindelijk vorm krijgt, ontstaan er immers fenomenen die zelfs de maker niet verwachtte. Tot nu toe was ‘Everything Was Forever, Until It Was No More’ van Konrad Smoleński al op vier plaatsen te zien. Ziehier het verhaal van een kunstwerk dat op korte tijd verschillende metamorfoses onderging. Het werk is de centrale motor in de tentoonstelling ‘Orkest!’, die nu loopt in Netwerk Aalst. In de installatie komt alle geluid uit de gehele tentoonstelling dagelijks samen, om dan over te gaan in een resonerende noise voor het weer verdwijnt.
‘Orkest!’ biedt verder werk van Oliver Beer, Rubén D’hers, Nicolas Field, Julian Sartorius, Michael Schmid en Rutger Zuydervelt.

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Everything Was Forever, Until It Was No More – Time Test, Zachęta-National Gallery of Art, Warsaw 2014, p. 17-18. Daniel MUZYCZUK & Agnieszka PINDERA waren de curatoren voor het Poolse paviljoen in de Biënnale van Venetië 2013. Hans Bocxstael is curator van ‘Orkest!’.
‘Orkest!’ tot 6 maart in Netwerk / centrum voor hedendaagse kunst Houtkaai 15, Aalst. Open wo-vr van 11-17 u., za-zo van 14-18 u. www.netwerk-art.be

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Voor het eerst wordt een Antwerp Art Weekend georganiseerd, dat loopt van 29 januari tot en met 1 februari. We kennen dergelijke weekends al van Brussel, Gent, Rotterdam en Amsterdam, onder verschillende benamingen, maar nu wil Antwerpen zich opnieuw profileren. Tien jaar terug was de Scheldestad goed op weg om de belangrijkste ‘hedendaagse kunststad’ van België te worden, maar het is om verschillende redenen anders gelopen, Brussel is zoals bekend vandaag the place to be. Antwerpen werpt zich weerom toch op als nieuwe challenger, niet alleen met de galeriescene, maar ook met talloze kleine, vrije initiatieven op het Zuid, in Borgerhout én elders.

[cnt_info] =>

Op de website van Antwerp Art is het volledige programma terug te vinden: www.antwerpart.be

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Verrassend sterk, heel divers en een heleboel talent. ‘Rumour Has It’ lijkt in kunstcentrum Marres in Maastricht te roepen dat 2014 een goed afstudeerjaar is. Niet dat deze 19 kunstenaars, afgezwaaid in Noord-Nederland, Düsseldorf en België, de loop van de kunstgeschiedenis aan het veranderen zijn. Maar wie weet?

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‘Marres Currents #2: Rumour Has It’ tot 13 februari in Marres, Capucijnenstraat 98, Maastricht, NL. Open wo-zo van 12-17 u. www.marres.org

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