Emma van der Put in A Tale Of A Tub, Rotterdam

Gepubliceerd op: 22 March 2018

Zouden bouwposters nou echt een goed idee zijn? Je vraagt het je af wanneer je de tentoonstelling van Emma van der Put bekijkt in A Tale Of A Tub, een tentoonstellingsplatform in Rotterdam. Het is een tentoonstelling die bestaat uit drie videowerken en een foto. Ze gaan over architectuur, waarbij één video met shots van buiten die bouwposters toont. Het zijn op bouwdoek geprinte posterfoto’s die prachtige façades beloven, glanzend van staal en glas onder een lucht met eeuwige zonneschijn. Maar Van der Put laat zien hoe je dat soort beelden in de dagelijkse praktijk vaak tegenkomt: op straat, tegen hekwerken, waarachter werkzaamheden plaatsvinden met alle troep die daarbij hoort. Deze rotzooi contrasteert dusdanig met die schoonheid op de digitale fotomontages, dat het verschil in het nadeel van beide kanten werkt. De beloofde nieuwbouw wordt onwaarschijnlijk, de bouwput lijkt nog viezer.

Sandra SMETS

Fotogalerij

Praktische Info

Emma van der Put ‘Mall of Europe’ tot 15 april in A Tale Of A Tub, Justus van Effenstraat 44, Rotterdam. Open vr-zo van 13-18 u. www.a-tub.org

Keywords

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Zouden bouwposters nou echt een goed idee zijn? Je vraagt het je af wanneer je de tentoonstelling van Emma van der Put bekijkt in A Tale Of A Tub, een tentoonstellingsplatform in Rotterdam. Het is een tentoonstelling die bestaat uit drie videowerken en een foto. Ze gaan over architectuur, waarbij één video met shots van buiten die bouwposters toont. Het zijn op bouwdoek geprinte posterfoto’s die prachtige façades beloven, glanzend van staal en glas onder een lucht met eeuwige zonneschijn. Maar Van der Put laat zien hoe je dat soort beelden in de dagelijkse praktijk vaak tegenkomt: op straat, tegen hekwerken, waarachter werkzaamheden plaatsvinden met alle troep die daarbij hoort. Deze rotzooi contrasteert dusdanig met die schoonheid op de digitale fotomontages, dat het verschil in het nadeel van beide kanten werkt. De beloofde nieuwbouw wordt onwaarschijnlijk, de bouwput lijkt nog viezer.

Sandra SMETS

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Het is alsof je zo een bovenmaatse kijkdoos instapt, zo een met een miniatuurwereld erin, maar nu dan meer dan levensgroot. We betreden Anne Hardy’s installatie ‘Field’ , in de reeks ‘Sensory Spaces’: ruimtevullende installaties net achter de entreebalie, ingeklemd tussen de museumwinkel en de garderobe. De vloer loopt langzaam omhoog naarmate je dieper in het hart van de installatie komt. Je treedt binnen – schoenen uit, voor extra effect! – door het kijkgat, dat eruit ziet als een muurtje, opgebouwd uit board en hout.

Machteld LEIJ

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Anne Hardy,’ Sensory Spaces 13’, tot 27 mei in Museum Boijmans van Beuningen, Museumpark 18-20, Rotterdam, NL. Open di-zo van 11-17 u. www.boijmans.nl

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Het beroemde Zwart Huis in Knokke wordt dit hele jaar ‘bezet’ door Ronny en Jessy Van de Velde, van de gelijknamige galerie in Antwerpen en Knokke, die er vier tentoonstellingen gaan organiseren. Het Zwart Huis aan de Dumortierlaan is in 1924 gebouwd, naar het ontwerp van de beroemde modernistische architect Huib Hoste. Het wordt beschouwd als een van zijn meesterwerken. Hoste was verbonden met de toenmalige avant-gardebeweging in de beeldende kunst: hij had nauwe contacten met De Stijl, maar ook met Jozef Peeters en andere kopstukken, hij werd geïnspireerd door Le Corbusier en zocht altijd vernieuwing, ook en vooral in diverse sociaal gerichte bouwprojecten.

Het Zwart Huis is een unicum: als toenmalige woonst van dokter De Beirs en zijn gezin was het, mét dokterspraktijk, groter en luchtiger (met een lichtinval via de centrale traphal) dan de meeste andere huizen in het interbellum. Het huis werd ook ingericht door diverse kunstenaars, onder wie Servranckx.

Ronny en Jessy Van de Velde openden dit tentoonstellingsseizoen met de tentoonstelling ‘Huib Hoste en zijn tijdgenoten – Belgische avant-garde 1914-1930’, met werk van onder meer Paul Joostens, Oscar Jespers, Karel Maes, Jozef Peeters, Jules Schmalzigaug, Victor Servranckx en vele andere uit die rijke interbellumtijd, toen de Belgische abstracte avant-garde internationaal aan het raam kwam piepen, onder meer via de belangrijke expo ‘Exposition internationale d’art moderne’ in Genève in december 1920. Wie hier meer wil over weten leest best de sterk onderbouwde tekst ‘Modernisme aan de kust’ van Peter J.H. Pauwels in de catalogus, die bij deze tentoonstelling hoort.

De Van de Veldes gaan voor de rest van dit jaar verder met het opzetten van tentoonstellingen in Het Zwart Huis: met Amédée Cortier die van het neokubisme naar minimal art evolueerde (mei-juli); met Willy De Sauter die de schilderkunst aan een fundamenteel onderzoek onderwerpt (augustus-september); en met Boy & Erik Stappaerts, met zijn bekende ‘conflict paintings’ (oktober-november).

MR

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‘Huib Hoste en zijn tijdgenoten’ tot 13 mei in Het Zwart Huis, Dumortierlaan 8, Knokke. Open do-zo van 12-18 u., gesloten op 27 en 28 april. www.ronnyvandevelde.com

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