‘Eén, twee en veel – Een eiland tentoonstellen’, São Miguel, Azoren

Gepubliceerd op: 14 July 2016

Over de ogen van Marta Wengorovius

Hoe stel je een eiland tentoon? Het is een poëtische vraag waarop beeldend kunstenaar Marta Wengorovius (°1963, Lissabon) sinds enkele jaren een antwoord zoekt. Op de Azoren, een Noord-Atlantische autonome regio van Portugal, zette ze lokale biologen, antropologen, historici, een fysicus, een schrijver en andere specialisten aan het werk om het eiland minutieus in kaart te brengen. Dit resulteerde in een gedetailleerde database waaruit de kunstenaar beeldend werk ontwikkelt dat ze vanaf eind augustus in de tentoonstelling ‘Um, dois e muitos – Uma ilha em exposição’ zal presenteren. In de aanloop naar deze tentoonstelling werd het project rond Wengorovius’ ‘Olhos’ (Ogen) dat loopt sinds 2005, opnieuw geactiveerd.

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Over de ogen van Marta Wengorovius

Hoe stel je een eiland tentoon? Het is een poëtische vraag waarop beeldend kunstenaar Marta Wengorovius (°1963, Lissabon) sinds enkele jaren een antwoord zoekt. Op de Azoren, een Noord-Atlantische autonome regio van Portugal, zette ze lokale biologen, antropologen, historici, een fysicus, een schrijver en andere specialisten aan het werk om het eiland minutieus in kaart te brengen. Dit resulteerde in een gedetailleerde database waaruit de kunstenaar beeldend werk ontwikkelt dat ze vanaf eind augustus in de tentoonstelling ‘Um, dois e muitos – Uma ilha em exposição’ zal presenteren. In de aanloop naar deze tentoonstelling werd het project rond Wengorovius’ ‘Olhos’ (Ogen) dat loopt sinds 2005, opnieuw geactiveerd.

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Wie het jasje past …

Wie zal de volgende scènes iets zeggen? Twee mannen, Estragon en Vladimir, hangen ‘s avonds wat rond op een landweg. Ze doen, alles bij elkaar opgeteld, weinig tot niets. Estragon probeert een laars uit te trekken. Vladimir kijkt toe. De een sukkelt wat in slaap, de andere neemt een hap eten, ze kijken wat om zich heen. Na een tijdje krijgen ze gezelschap van nog twee mannen, Pozzo en Lucky. Zo ongeveer loopt de eerste akte af. De tweede akte laat niet veel verandering zien. 

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Skyline met ‘Psychobarn’

De Britse kunstenares Cornelia Parker (°1956, Cheshire, EN) staat bekend om haar interesse in de materiële cultuur en de populaire iconografie. Gevonden objecten ondergaan vaak cartooneske transformaties, waardoor het bekende plots tragikomisch, curieus, maar vooral onbestendig blijkt te zijn. Voor haar eerste site-specifieke solo-tentoonstelling in de Verenigde Staten (en wat voor één), contrasteert Parker het panorama van Manhattan met een vreemd familiaire decorprop.

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