Een retrospectieve tentoonstelling van Michaël Borremans in Bozar

Gepubliceerd op: 13 February 2014

Vanaf 15 februari begint in het kleine circuit van het Brusselse Paleis voor Schone Kunsten een overzichtstentoonstelling van Michaël Borremans met een honderdtal werken die werden geselecteerd door de kunstenaar en Jeffrey Grove, curator in het Dallas Museum of Art.

Praktische Info

www.bozar.be

Keywords

Geen keywords beschikbaar.

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Vanaf 15 februari begint in het kleine circuit van het Brusselse Paleis voor Schone Kunsten een overzichtstentoonstelling van Michaël Borremans met een honderdtal werken die werden geselecteerd door de kunstenaar en Jeffrey Grove, curator in het Dallas Museum of Art.

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www.bozar.be

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Dan Graham moet eerst even een stukje appeltaart eten en de krant lezen voor hij tijd heeft. Hij is net een paar dagen in Nederland, voor zijn nieuwe tentoonstelling met de bekende paviljoens in tweezijdig spiegelglas in De Pont in Tilburg, Nederland. Er zijn veel maquettes en een nieuw werk dat hij speciaal voor de tentoonstelling maakte. Die is half ingericht als we elkaar spreken in het cafetaria van het museum.

Dan Graham: “Ik denk dat veel kunstenaars een onjuist idee hebben van de jaren zestig. Maar die tijden waren niet utopisch, ze hebben eenvoudigweg de literatuur uit die tijd te oppervlakkig geïnterpreteerd. Het was een complexe periode. Net als drugs: het gebruik daarvan kon bevrijdend zijn, maar het zorgde ook voor een psychotische vertekening bij sommigen. Mijn werk veranderde ingrijpend door het gebruik van hasj. In tegenstelling tot het minimalisme waarbij het hier en nu prevaleerde, kreeg ik oog voor begrippen als duur en tijd.”

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www.depont.nl

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Met ‘This Day at Ten' brengt Wiels ouder en nieuwer werk van de Libanese kunstenaar Akram Zaatari. Ouder is ‘This Day', een video uit 2003, nog steeds actueel, zelfs tien jaar na datum - daar komt de titel van de tentoonstelling vandaan. Nieuwer is ‘Letter to a Refusing Pilot', Zaatari's bijdrage voor het Libanees paviljoen tijdens de jongste Biënnale van Venetië. Het toont de kunstenaar als archeoloog en archeologie als instrument voor de toekomst.

Akram Zaatari: "In het digitale tijdperk worden beelden nomadisch. We weten niet meer hoe ze gemaakt worden, wie ze maakt, waar ze vandaan komen. Je ziet steeds meer dingen die niet meer op te sporen zijn."

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Tot 27 april in Wiels. www.wiels.org

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