Een blik op ‘offspaces’ in Vlaanderen en Brussel

Gepubliceerd op: 24 May 2018

Voor de reeks ‘Perspectief: Offspaces’ nodigde de Vlaamse culturele organisatie Kunstenpunt Pieter Vermeulen uit om een staalkaart van deze ruimtes te interviewen. Dit artikel is een reflectie op het onderzoek dat hij in het voorbije jaar voerde. De langere versie van de tekst, alsook de interviews, zijn te raadplegen op de website van Kunstenpunt.

Kunstenaarsinitiatieven en -collectieven, onafhankelijke of alternatieve kunstruimtes, projectruimtes, pop-ups, non-profits, offspaces ... : er lijkt geen consistente benaming te bestaan voor de kleinschalige organisaties in de marge van de beeldende kunstensector. Hoe het ook zij, de aandacht voor artist-run spaces is in het voorbije decennium aanzienlijk toegenomen, getuige tal van conferenties, tentoonstellingen, publicaties en kunstbeurzen. De belangstelling is eerder casusgericht en de discoursvorming wordt niet in het minst gevoed door de aanstichters van de organisaties zelf.

Pieter VERMEULEN

Praktische Info

Alle teksten op www.kunsten.be

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Voor de reeks ‘Perspectief: Offspaces’ nodigde de Vlaamse culturele organisatie Kunstenpunt Pieter Vermeulen uit om een staalkaart van deze ruimtes te interviewen. Dit artikel is een reflectie op het onderzoek dat hij in het voorbije jaar voerde. De langere versie van de tekst, alsook de interviews, zijn te raadplegen op de website van Kunstenpunt.

Kunstenaarsinitiatieven en -collectieven, onafhankelijke of alternatieve kunstruimtes, projectruimtes, pop-ups, non-profits, offspaces ... : er lijkt geen consistente benaming te bestaan voor de kleinschalige organisaties in de marge van de beeldende kunstensector. Hoe het ook zij, de aandacht voor artist-run spaces is in het voorbije decennium aanzienlijk toegenomen, getuige tal van conferenties, tentoonstellingen, publicaties en kunstbeurzen. De belangstelling is eerder casusgericht en de discoursvorming wordt niet in het minst gevoed door de aanstichters van de organisaties zelf.

Pieter VERMEULEN

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Alle teksten op www.kunsten.be

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Guy Rombouts (°1949) staat naast mij. We kijken naar een opschrift op het raam van de galerie. Het opschrift is gesteld in het Azart, een zelf ontworpen alfabet waarvan elke letter door zijn vorm verwijst naar de beginklank van de naam van een gelijkvormig voorwerp. Zo heeft de letter die naar de klank ‘m’ verwijst de vorm van een meander, net zoals de l-klank in het Fenicisch de vorm had van een primitieve hak of ploeghaak (een tak met zijtak), die ‘lamed’ werd genoemd (allicht verwant met ons ‘lemmet’ en het Franse ‘lame’). “Ons alfabet heeft zich langzaam losgezongen van de realiteit,” vertelt Rombouts, “en met het Azart ga ik er terug naartoe.”

Guy Rombouts: "Je wees mij net op de bijzondere bloesems van een Cornus Aurora, die als waterlelies bovenop de kruin lijken te drijven. En dan hebben we in stilte naar die boom gekeken. Zo’n stil samen kijken is een vorm van communicatie die voorafgaat aan de taal, denk ik."

Hans THEYS

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Guy Rombouts, ‘Les beaux contes font les bons amis, les mots comptent pour les faux amis’ tot 17 juni in de Annie Gentils Gallery, Peter Benoitstraat 40, Antwerpen. Open wo-za van 14-18 u. www.anniegentilsgallery.com

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De Finse kunstenares Eija-Liisa Ahtila is een icoon in de videokunst. De voorbije drie decennia verlegde ze meerdere bakens in ons kijken naar bewegend beeld. We spreken haar net voor de uitreiking van haar eredoctoraat aan de Ionian University in Griekenland, naar aanleiding van haar solotentoonstelling in Museum M in Leuven.

Eija-Liisa Ahtila: "Soms doorbreek ik de illusie van fictie, bijvoorbeeld door de protagonist direct tot de kijker te richten. Het is zeer moeilijk om categorieën als fictie en documentaire vol te houden."

Sofie CRABBÉ

 

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Eija-Liisa Ahtila tot 16 september in M-Museum Leuven, Leopold Vanderkelenstraat 28, Leuven. Open ma-di en vr-zo van 11-18 u., do van 11-22u. en op afspraak. www.mleuven.be

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