‘Echoes’ - Helmut Stallaerts à l’Espace ING

Gepubliceerd op: 16 April 2015

Helmut Stallaerts, Prix du Public au dernier Young Belgian Art Prize, peint, sur toile, sur des os d’animaux, des crânes humains ou des dominos, des scènes oniriques à tendance cauchemardesque qui gardent une part énigmatique irréductible. Dans cette exposition ‘Echoes’, il les confronte avec des pièces très variées de la collection ING, d’Honoré Daumier à Sol LeWitt, et enrichit son propos sombre, mais pas forcément fataliste.

Estelle SPOTO

Verschenen in de gratis bijlage H ART en français

Praktische Info

‘Echoes - Helmut Stallaerts meets the ING Collection’ jusqu’au 14 juin au ING Art Center, Place Royale 6, Bruxelles. Ouvert ma-di de 11-18h. www.ing.be/art

Samedi 25 avril 2015, 18 h. - 20 h. : ouverture tardive à l’occasion d’Art Brussels 2015. Meet and greet Albert Baronian, Wolfgang Schoppmann et Tanguy Eeckhout. DJ Mat Stellar performera également dans l’exposition.

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Helmut Stallaerts, Prix du Public au dernier Young Belgian Art Prize, peint, sur toile, sur des os d’animaux, des crânes humains ou des dominos, des scènes oniriques à tendance cauchemardesque qui gardent une part énigmatique irréductible. Dans cette exposition ‘Echoes’, il les confronte avec des pièces très variées de la collection ING, d’Honoré Daumier à Sol LeWitt, et enrichit son propos sombre, mais pas forcément fataliste.

Estelle SPOTO

Verschenen in de gratis bijlage H ART en français

[cnt_info] =>

‘Echoes - Helmut Stallaerts meets the ING Collection’ jusqu’au 14 juin au ING Art Center, Place Royale 6, Bruxelles. Ouvert ma-di de 11-18h. www.ing.be/art

Samedi 25 avril 2015, 18 h. - 20 h. : ouverture tardive à l’occasion d’Art Brussels 2015. Meet and greet Albert Baronian, Wolfgang Schoppmann et Tanguy Eeckhout. DJ Mat Stellar performera également dans l’exposition.

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Pour ‘Atopolis’, une des expositions les plus attendues de Mons 2015, les curateurs, Dirk Snauwaert et Charlotte Friling du Wiels, sont partis de la situation de Mons et du Borinage - des lieux de métissage, de construction d’identités plurielles, de pensée de la modernité. Des lieux où des hommes, venus de régions trop pauvres pour les nourrir, ont cherché une vie meilleure, où les conditions économiques et sociales ont été (et restent) très dures. Ils proposent, à travers les œuvres de 22 artistes internationaux, de dessiner les possibilités d’une nouvelle utopie dont notre époque a grand besoin.

Colette DUBOIS

Verschenen in de gratis bijlage H ART en français

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‘Atopolis’ du 13 juin au 18 octobre au Manège de Sury, rue des Droits de l’Homme, Mons. Ouvert ma-di de 12-18 h. www.wiels.org

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Panache Towers is een nieuwe project-/tentoonstellingsplek van het ‘office for art and design’ Panache, waar onder andere Kathleen Weyts bij betrokken is – die jaren instond voor de communicatie, PR en marketing van het M HKA. Het platform opende met een performance van Jos de Gruyter & Harald Thys, bracht al een tentoonstelling met de reeks op bloemen en vlaggen geïnspireerde schilderijen van Maryam Najd ‘The Non Existence Flag Project’ en heeft vanaf 23 april ‘dis—play’ op het programma staan met werk van Katrin Kamrau, Ives Maes en Adriaan Verwée.

Katrin Kamrau (°1981, Lübben) heeft een bijzondere interesse in het fotografische proces van beeldopbouw en beeld-perceptie en verdiept zich ook in het historische en het hedendaagse gebruik van optische beelden in onze maatschappij. Hier toont ze ‘SPEKTRUM*objekt18 (portrait)’ uit 2014, een installatie van 59 lambda prints, gebaseerd op de schematische voorstelling van een kleurdiagram uit een publicatie van de Eastman Kodak Company. Ives Maes (°1976, Hasselt) experimenteert met het medium foto als sculptuur. Voor zijn tentoonstelling ‘The Future of Yesterday’ met foto’s van sites waar ooit wereldexpo’s plaatsvonden, maakte hij in 2012 al enkele ‘fotosculpturen’, foto’s die in een gebogen vorm of in een geplooide hoek gepresenteerd worden. Momenteel werkt hij aan een nieuwe experimentele fotoreeks ‘Sunville’ rond zijn geboortedorp Zonhoven. In dis—play toont hij uit deze reeks een installatie van vijf 3D titanium fotosculpturen gebaseerd op een aantal panoramische foto’s die hij maakte van het hem zo vertrouwde Kempische landschap. Adriaan Verwée (º1975) ten slotte maakt objecten en installaties die zich ophouden tussen letterlijk en figuurlijk, tussen constructie en beeld. In ‘dis—play’ toont hij de foto-installatie ‘Frayed Edge Sequences’ (2014), een reeks van veertien foto’s waarin hij verschillende types ruimtes met elkaar confronteert. 

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‘dis—play’ van 23 april tot 5 juni (opening 22 april van 19-22 u.) in Panache Towers, Frankrijklei 73, Antwerpen, 2de verdieping. Open di-vr van 10-18 u. en op afspraak. www.panache.works

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