‘Ecce Homo’ in Antwerpen

Gepubliceerd op: 14 December 2017

‘Zie de mens.’ Pilatus’ woorden, een titel die kan wegen. De tentoonstelling ‘Ecce Homo’ in Antwerpen is een diverse schets geworden van de complexe hedendaagse ‘condition humaine’, over lief en leed. Niet minder dan 63 Belgische kunstenaars werden erbij gehaald om ons op negen locaties een spiegel voor te houden.

Raf WOLLAERT

Praktische Info

‘Ecce Homo’ tot 25 februari 2018 op negen verschillende locaties rondom de Leopoldplaats 12, Antwerpen. Open wo-zo van 13-17 u. (uitzondering Fierens woonblokken: 15-18 u., Ackermans & van Haaren: ma-vr van 10-18 u.). www.eccehomoantwerpen.com

Keywords

Geen keywords beschikbaar.

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‘Zie de mens.’ Pilatus’ woorden, een titel die kan wegen. De tentoonstelling ‘Ecce Homo’ in Antwerpen is een diverse schets geworden van de complexe hedendaagse ‘condition humaine’, over lief en leed. Niet minder dan 63 Belgische kunstenaars werden erbij gehaald om ons op negen locaties een spiegel voor te houden.

Raf WOLLAERT

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‘Ecce Homo’ tot 25 februari 2018 op negen verschillende locaties rondom de Leopoldplaats 12, Antwerpen. Open wo-zo van 13-17 u. (uitzondering Fierens woonblokken: 15-18 u., Ackermans & van Haaren: ma-vr van 10-18 u.). www.eccehomoantwerpen.com

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Een wagen en de liefde. Meer dan dat had het Oostenrijke duo Claudia Plank & Hans Werner Poschauko niet nodig om bij trampoline een geestige tentoonstelling op te zetten waarin romantiek en subjectiviteit centraal staan. Van de galerieruimte maakten ze een rariteitenkabinet dat even fout als onweerstaanbaar is. In houten kistjes, gepresenteerd op pastelkleurige bijzettafeltjes met zowaar octopusachtige allures kunnen enkele objecten worden teruggevonden die zo uit een klassiek vanitas-stilleven geplukt zouden kunnen zijn: parels, een schedel, sculptuurtjes en schelpjes. Klein en fijn. Anders is de schelp van grotesk formaat die om de hoek vanuit de kosmos de galerie binnen komt zweven en voor de gelegenheid van oogjes werd voorzien. Onder andere een portret van de kunstenaars als vogelachtige acteurs in het Grieks theater, een zwierig citaat over de muren en een video waarin een paar ‘geredde’ visjes uit de Donau de hoofdrol spelen, maken de Kunst- und Wunderkammer compleet. Zwoele speelsheid, verfijnde symboliek en maatschappelijk engagement gaan in dit knusse kluwen hand in hand met als rode draad een onderliggende dualiteit: it takes two. Plank & Poschauko vertoeven nochtans in goed gezelschap met hun verwijzingen naar Rilke, Spinoza, Aristophanes of Mike Kelley. Dat het er al dan niet toe zou doen om op de hoogte te zijn van al hun poëtische excursies stellen ze waarschijnlijk zelf in vraag. Des te belangrijker voor Oostenrijks creatiefste koppel is dat ‘waarheid’ zou bestaan. Wie dit alles echter niet gelooft zal bij trampoline langs moeten om eventueel van het tegendeel overtuigd te worden.

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Claudia Plank ≠ Hans Werner Poschauko, ‘Gegenteilchen Lovers And Never Forget that Truth Exists’ tot 2 december te zien bij trampoline, Vlaamsekaai 47, Antwerpen. www.trampolinegallery.com

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Wist u dat de collectie van Koninklijk Museum voor Schone Kunsten Antwerpen (KMSKA) 41 kleinsculpturen van 1953 tot 1973 bevat? Helaas waren ze er niet te zien. Daar zal met de heropening, gepland in september 2019, verandering in komen. KMSKA zoekt naarstig naar partners om zijn collectie ietwat zichtbaar te houden. De kleinsculpturen die lange tijd in het depot verkommerden, zijn nu tijdelijk opgesteld in het Braempaviljoen in het Middelheimmuseum.

Indra DEVRIENDT

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‘Recall Sculpture’ tot 18 maart in Middelheimmuseum, Middelheimlaan 61, Antwerpen. Open van oktober tot maart di-zo van 10-17 u. www.middelheimmuseum.be

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