Di. 26 juni: Veiling voor H ART bij Phillips London

Gepubliceerd op: 14 June 2018

H ART, magazine over hedendaagse kunst, bestaat nu meer dan twaalf jaar en ervaart de nood aan consolidatie, vernieuwing en internationalisering. Daar is nieuw kapitaal voor nodig. Daarom organiseert H ART, in samenwerking met het internationale veilinghuis Phillips, een benefiet-veiling in Londen.

Die belangrijke veiling vindt plaats op dinsdag 26 juni 2018 in het Phillips auction house aan Berkeley Square in Londen, waar werk wordt aangeboden van twaalf gerenommeerde Belgische kunstenaars. Hun namen: Luc Tuymans, Jan Fabre, Koen van den Broek, Hans Op de Beeck, Sofie Muller, Rinus Van de Velde, Anne-Mie Van Kerckhoven, Pieter Vermeersch, Dirk Braeckman, Berlinde De Bruyckere, Peter Buggenhout en Sven ’t Jolle. De werken worden opgenomen in de dagveiling van de 20th Century and Contemporary Art Sales van Phillips.

 

Fotogalerij

Praktische Info

Kijkdagen in Londen zijn er van 18 tot 26 juni: Phillips, Berkeley Square 30, Londen. De veiling van de twaalf werken zelf start op dinsdag 26 juni om 14 u. phillips.com

Keywords

Geen keywords beschikbaar.

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H ART, magazine over hedendaagse kunst, bestaat nu meer dan twaalf jaar en ervaart de nood aan consolidatie, vernieuwing en internationalisering. Daar is nieuw kapitaal voor nodig. Daarom organiseert H ART, in samenwerking met het internationale veilinghuis Phillips, een benefiet-veiling in Londen.

Die belangrijke veiling vindt plaats op dinsdag 26 juni 2018 in het Phillips auction house aan Berkeley Square in Londen, waar werk wordt aangeboden van twaalf gerenommeerde Belgische kunstenaars. Hun namen: Luc Tuymans, Jan Fabre, Koen van den Broek, Hans Op de Beeck, Sofie Muller, Rinus Van de Velde, Anne-Mie Van Kerckhoven, Pieter Vermeersch, Dirk Braeckman, Berlinde De Bruyckere, Peter Buggenhout en Sven ’t Jolle. De werken worden opgenomen in de dagveiling van de 20th Century and Contemporary Art Sales van Phillips.

 

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Kijkdagen in Londen zijn er van 18 tot 26 juni: Phillips, Berkeley Square 30, Londen. De veiling van de twaalf werken zelf start op dinsdag 26 juni om 14 u. phillips.com

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Momenteel vindt de derde editie plaats van Arco Lisboa, de dochterbeurs van Arco Madrid. De beurs werd niet toevallig opgericht in de periode dat het land een ware economische boom kende. Na de financiële crisis in 2011 besloot de premier het roer om te gooien door een voordelig tax systeem op te zetten. Dat zorgde onder andere voor een influx van buitenlanders, die vaak een tweede residentie kochten tegen een voordelig tarief. Mede door de toevloed van die doorgaans welgestelde buitenlanders en inspelend op een boom van de lokale kunstscene – ingegeven door lage huurprijzen waardoor ook buitenlandse galeries er een tweede vestiging openen – zag Arco Lisboa het licht, een beurs die zich van de Spaanse origineel onderscheidt door haar schaal.
 
Met slechts 72 deelnemende exposanten (wat al een toename is in tegenstelling tot de vorige edities) uit veertien landen is het een aangename beurs waar je nog echt kan kijken naar kunst. De beurs vindt plaats in Cordoaria, een voormalige koordfabriek. De beurs blijkt ook opvallend coherent, met voornamelijk exposanten uit Portugal, Spanje, Brazilië. Duitse of Britse deelnemers zijn er nauwelijks, geen Belgen en één Nederlandse galerie, Dürst Britt & Mayhew die voor de tweede keer aanwezig is op Opening, een frisse sectie voor opkomende galeries. Zij stellen werk voor van Paul Beumer,  Raul Ortega Ayala en Puck Verkade.
 
Het is best verfrissend om niet opnieuw op een stand van Gagosian, Gladstone en consorten te stuiten. Arco Lisboa is dan ook een beurs die gaat voor een regionaal profiel waar sensatie en spektakel worden geweerd.
 
Bij onze persoonlijke favorieten éminence grise Filomena Soares (Helena Almeida, Laeticia Ramos, Pedro Bration, … ), Juana de Aizpuru (Pedro Cabrita Reis, Wolfgang Tillmans, Angela de la Cruz, ... ) en Galeria Francisco Fino met een booth rond kolonialisme en exotisme (Vasco Araujo, … ).
 
Sam STEVERLYNCK
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www.ifema.es/arcolisboa_01/

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De schoonheid van Dakar valt niet af te lezen van haar architectuur, maar van de mensen en de sfeer die ze scheppen. Broeierige, stoffige en vervallen straten worden tot leven gebracht door een explosie van felgekleurde waxprints en strak getailleerde pakken. Een warboel van verstikkend verkeer en galmende gebeden vormen de dagelijkse scène waarop het leven zich afspeelt. Dingen gebeuren hier met hun eigen, hectische logica, zo ook de laatste editie van Dak’Art: de oudste en meest prominente biënnale van Afrika. De 13de editie van Dak’Art, ‘L’Heure Rouge’, was zowel geografisch als thematisch diffuus en valt moeilijk binnen de grenzen van één samenhangende gebeurtenis te vatten.

Aude TOURNAYE

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‘DAK’ART L’Heure Rouge’ ging door van 3 mei tot 2 juni in Dakar, Senegal. biennaledakar.org

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acrylic , graphite on paper, 50 x 35 cm., courtesy Galerie Greta Meert, Brussels [img_caption] => Koen van den Broek, ‘Hummer’, 2010, acrylic , graphite on paper, 50 x 35 cm., courtesy Galerie Greta Meert, Brussels [img_date_created] => 2018-06-13 16:59:15 ) [1] => stdClass Object ( [id_gallery] => 8701 [gal_content_id] => 2246 [gal_image_id] => 3798 [gal_image_order] => 2 [id_image] => 3798 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2018-06-13 [img_publish_date_end] => [img_title] => Berlinde De Bruyckere, ‘Spreken’, cibachrome on polystyrene, 40 x 30 x 1.2 cm., mounted on polystyrene [img_caption] => Berlinde De Bruyckere, ‘Spreken’, cibachrome on polystyrene, 40 x 30 x 1.2 cm., mounted on polystyrene [img_date_created] => 2018-06-13 16:57:18 ) [2] => stdClass Object ( [id_gallery] => 8702 [gal_content_id] => 2246 [gal_image_id] => 3797 [gal_image_order] => 3 [id_image] => 3797 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2018-06-13 [img_publish_date_end] => [img_title] => Anne-Mie Van Kerckhoven, ‘Cependant, les Problèmes Posées’, 2005, ink, coloured pencil, marker, watercolour, pastel on paper, on manufactured paper, 25,5 x 35,0 cm. , courtesy Zeno X Gallery, Antwerp [img_caption] => Anne-Mie Van Kerckhoven, ‘Cependant, les Problèmes Posées’, 2005, ink, coloured pencil, marker, watercolour, pastel on paper, on manufactured paper, 25,5 x 35,0 cm. , courtesy Zeno X Gallery, Antwerp [img_date_created] => 2018-06-13 16:51:02 ) [3] => stdClass Object ( [id_gallery] => 8703 [gal_content_id] => 2246 [gal_image_id] => 3796 [gal_image_order] => 4 [id_image] => 3796 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2018-06-13 [img_publish_date_end] => [img_title] => Sofie Muller, ‘AL/LIV/17, 2017, sculpture’ incised with the artist's signature and date 'Muller Sofie 2017' on the underside alabaster and textile pillow sculpture, 24 x 17 x 16 cm., pillow 50 x 59 cm., courtesy Geukens & De Vil gallery, Antwerp [img_caption] => Sofie Muller, ‘AL/LIV/17, 2017, sculpture’ incised with the artist's signature and date 'Muller Sofie 2017' on the underside alabaster and textile pillow sculpture, 24 x 17 x 16 cm., pillow 50 x 59 cm., courtesy Geukens & De Vil gallery, Antwerp [img_date_created] => 2018-06-13 16:42:04 ) [4] => stdClass Object ( [id_gallery] => 8704 [gal_content_id] => 2246 [gal_image_id] => 3795 [gal_image_order] => 5 [id_image] => 3795 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2018-06-13 [img_publish_date_end] => [img_title] => Peter Buggenhout, ‘Keine Ahnung #7, 2018, plaster, iron and cow stomach, 39 x 25 x 16 cm. [img_caption] => Peter Buggenhout, ‘Keine Ahnung #7, 2018, plaster, iron and cow stomach, 39 x 25 x 16 cm. [img_date_created] => 2018-06-13 16:38:03 ) [5] => stdClass Object ( [id_gallery] => 8705 [gal_content_id] => 2246 [gal_image_id] => 3794 [gal_image_order] => 6 [id_image] => 3794 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2018-06-13 [img_publish_date_end] => [img_title] => Hans Op de Beeck, ‘Snowscape (8)’, 2017, watercolour on paper, 278 x 104,5 cm. [img_caption] => Hans Op de Beeck, ‘Snowscape (8)’, 2017, watercolour on paper, 278 x 104,5 cm. [img_date_created] => 2018-06-13 16:34:26 ) [6] => stdClass Object ( [id_gallery] => 8706 [gal_content_id] => 2246 [gal_image_id] => 3793 [gal_image_order] => 7 [id_image] => 3793 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2018-06-13 [img_publish_date_end] => [img_title] => Dirk Braeckman, 'R.H.-V.B.-16', 2016, ultrachrome inkjet print on matte paper, 49.5 x 33 cm Courtesy Zeno X Gallery, Antwerp [img_caption] => Dirk Braeckman, 'R.H.-V.B.-16', 2016, ultrachrome inkjet print on matte paper, 49.5 x 33 cm Courtesy Zeno X Gallery, Antwerp [img_date_created] => 2018-06-13 16:32:43 ) [7] => stdClass Object ( [id_gallery] => 8707 [gal_content_id] => 2246 [gal_image_id] => 3792 [gal_image_order] => 8 [id_image] => 3792 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2018-06-13 [img_publish_date_end] => [img_title] => Pieter Vermeersch, Untitled, 2018, oil on canvas, 76 x 56 cm. [img_caption] => Pieter Vermeersch, Untitled, 2018, oil on canvas, 76 x 56 cm. 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