‘Dérive Dérivée’ in CAB in Elsene

Gepubliceerd op: 3 December 2015

In ‘Dérive Dérivée’ onderzoekt curator Angelique Campens de principes en attitudes van protestbewegingen uit de jaren 50 en 60 en probeert ze te achterhalen welke betekenis die nog kunnen hebben voor de kunstenaars vandaag.

Praktische Info

‘Dérive Dérivée’ met werk van Sunah Choi, Michele di Menna, Gelitin, Beatrice Gibson, Runo Lagomarsino, Christoph Meier, Mathias Prenen, Przemek Pyszczek en Kato Six tot 19 december in
CAB Contemporary Art, 32-34, rue Borrens, Elsene. Open wo-za van 14-18 u. www.cab.be

Keywords

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In ‘Dérive Dérivée’ onderzoekt curator Angelique Campens de principes en attitudes van protestbewegingen uit de jaren 50 en 60 en probeert ze te achterhalen welke betekenis die nog kunnen hebben voor de kunstenaars vandaag.

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‘Dérive Dérivée’ met werk van Sunah Choi, Michele di Menna, Gelitin, Beatrice Gibson, Runo Lagomarsino, Christoph Meier, Mathias Prenen, Przemek Pyszczek en Kato Six tot 19 december in
CAB Contemporary Art, 32-34, rue Borrens, Elsene. Open wo-za van 14-18 u. www.cab.be

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“We wilden geen brave accrochage, noch iets voorspelbaars maken en zeker niet op safe spelen”, verklaart Peter Morrens ons naar aanleiding van de duoshow ‘Guts (No Guts)’ (een titel die klinkt als een tautologie) in Kristof De Clercq gallery in Gent. Samen met Klaas Kloosterboer toont hij er op een tegelijk onvatbare en heel directe manier nieuw werk, waarbij de werken van beiden niet alleen in elkaar vloeien maar gelukkig ook eens dwars op elkaar durven te staan. Het is geen klassieke tentoonstelling geworden, maar dat maakt haar niet minder interessant, integendeel.

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Klaas Kloosterboer en Peter Morrens, ‘Guts (No Guts)’ tot 20 december in Kristof De Clercq gallery, Tichelrei 82, Gent. Open wo-zo van 14-18 u. www.kristofdeclercq.com

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Met een opleiding autonome vormgeving aan het KASK in Gent als achtergrond, maakte Miet Warlop tot nu toe vooral naam binnen de theaterwereld. Daar komt allicht verandering in nu ze een tentoonstelling in KIOSK heeft. Warlop: “Mijn manier van werken is dat ik heel veel op zichzelf staande autonome dingen in een performance verwerk – met een bombardement aan beelden als gevolg. Maar ik kan daar ook dingen uithalen, die op zich staande objecten kunnen worden.”

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Miet Warlop ‘Crumbling Down the Circle of My Iconoclasm’ tot 31 januari 2016 in KIOSK, Louis Pasteurlaan 2, Gent. Open di-vr van 14-18 u., za-zo van 11-18 u. www.kioskgallery.be
Tegelijk met de tentoonstelling van Miet Warlop, loopt ook de tentoonstelling ‘Billenkoek’ van Nel Aerts in KIOSK.

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