De Nieuwe Lichting: Stijn Maes voert een gesprek met Stef Van Looveren

Gepubliceerd op: 18 October 2018

Enkele maanden terug maakte de Antwerpse kunstenaar Stef Van Looveren met zijn project ‘Radical Hope’ een diepe indruk op Stijn Maes, artistiek coördinator van KRIEG te Hasselt en verbonden als docent en opleidingscoördinator Vrije Kunsten aan PXL-MAD School of arts, eveneens te Hasselt. Wat volgt is de neerslag van hun gesprek over enkele recente sleutelwerken.

Een van de hoogtepunten van het meest recente Antwerp Art Weekend (25-27 mei 2018) was ongetwijfeld de solotentoonstelling ‘Radical Hope’ van kunstenaar Stef Van Looveren. Plaats van gebeuren was Hole of The Fox, het geesteskind van kunstenaar Benny Van den Meulengracht-Vrancx. Opgericht in 2011, bracht Hole of The Fox op onregelmatige tijdstippen tentoonstellingen met te ontdekken artistiek talent. ‘Radical Hope’ werd aangekondigd als het voorlopige eindpunt van deze reeks presentaties. Maar hoe! Eindigen in schoonheid heet dat dan.

Stijn MAES

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Enkele maanden terug maakte de Antwerpse kunstenaar Stef Van Looveren met zijn project ‘Radical Hope’ een diepe indruk op Stijn Maes, artistiek coördinator van KRIEG te Hasselt en verbonden als docent en opleidingscoördinator Vrije Kunsten aan PXL-MAD School of arts, eveneens te Hasselt. Wat volgt is de neerslag van hun gesprek over enkele recente sleutelwerken.

Een van de hoogtepunten van het meest recente Antwerp Art Weekend (25-27 mei 2018) was ongetwijfeld de solotentoonstelling ‘Radical Hope’ van kunstenaar Stef Van Looveren. Plaats van gebeuren was Hole of The Fox, het geesteskind van kunstenaar Benny Van den Meulengracht-Vrancx. Opgericht in 2011, bracht Hole of The Fox op onregelmatige tijdstippen tentoonstellingen met te ontdekken artistiek talent. ‘Radical Hope’ werd aangekondigd als het voorlopige eindpunt van deze reeks presentaties. Maar hoe! Eindigen in schoonheid heet dat dan.

Stijn MAES

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www.stefvanlooveren.com

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Luc Tuymans heeft grote bewondering voor het oeuvre van Raoul De Keyser. “Zijn tactiliteit, het ingehouden gebaar, de introspectie. Ik zou wel eens willen zien hoe men in China en Japan op zijn werk reageert.”

Luc Tuymans: “Op mijn allereerste tentoonstelling bij Frank Demaegd toonde ik het werk ‘Body’”, vertelt Luc Tuymans. “Toen ik het schilderij ‘Dalton’ van Raoul De Keyser zag, was dat voor mij een echte verrassing: ‘Body’ en ‘Dalton’ zijn bijna even groot en allebei geschilderd in 1990. ‘Body’ is redelijk figuratief maar gaat toch richting abstractie. Qua gevoeligheid, textuur en schilderkunstige sensibiliteit vond ik dat er opvallende raakpunten waren tussen die twee schilderijen.”

Eric RINCKHOUT

 

 

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Voor haar derde editie verhuist de kunstbeurs Independent van april –toen ze in de slipstream van Art Brussels zat – naar november. Een slimme zet waardoor Brussel na het Gallery Weekend in september en Art Brussels in april een derde zwaartepunt krijgt op de kunstkalender. Nieuw aan deze editie, waaraan een zestigtal galeries deelneemt, van Supportico Lopez (Berlijn) over Super Dakota (Brussel), is dat er ook een luik gewijd is aan performancekunst, samengesteld door curator Vincent Honoré. We spraken mede-oprichtster Elizabeth Dee, die voor ons een tipje van de sluier wou lichten.

Sam STEVERLYNCK

Elizabeth Dee: "Als ik studiobezoeken doe in New York, Brussel of Parijs, zie ik niet alleen objecten die worden geproduceerd. Ik zie ook samenwerkingen met andere kunstenaars, experimentele films, notities voor performances, enz. Dat deed me beseffen dat we niet de hele waaier van artistieke productie tonen."

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