De Nieuwe Lichting: Isabel Van Bos over Laurie Charles

Gepubliceerd op: 24 January 2019

In deze reeks geven we carte blanche aan een (jonge) curator om het werk van een kunstenaar naar keuze voor te stellen. Deze keer Isabel Van Bos, STRT Kit coördinator en freelance curator, over Laurie Charles.

“Ik heb zoveel verbeelding, dat ik mij schijnbaar non-stop in een Hollywoodfilm begeef”. Een gesprek over speculatieve fictie, micro-feminisme, parallelle werelden, complottheorieën en het falen van utopische communes.

Laurie Charles: "Ik ontdekte dat het vertellen over mijn intieme leven een persoonlijk empowerment was. Dit zijn geen onderwerpen die normaliter in onze populaire beeldtaal gerepresenteerd worden. Maar de beeldtaal die ik gebruik, vormt een parallelle wereld, waardoor deze gesprekken wel mogelijk zijn."

Isabel VAN BOS

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In deze reeks geven we carte blanche aan een (jonge) curator om het werk van een kunstenaar naar keuze voor te stellen. Deze keer Isabel Van Bos, STRT Kit coördinator en freelance curator, over Laurie Charles.

“Ik heb zoveel verbeelding, dat ik mij schijnbaar non-stop in een Hollywoodfilm begeef”. Een gesprek over speculatieve fictie, micro-feminisme, parallelle werelden, complottheorieën en het falen van utopische communes.

Laurie Charles: "Ik ontdekte dat het vertellen over mijn intieme leven een persoonlijk empowerment was. Dit zijn geen onderwerpen die normaliter in onze populaire beeldtaal gerepresenteerd worden. Maar de beeldtaal die ik gebruik, vormt een parallelle wereld, waardoor deze gesprekken wel mogelijk zijn."

Isabel VAN BOS

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www.lauriecharles.net

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In het atelier van Benoit Platéus staan diffuse doeken uitgestald naast bidons in poppy kleurgradiënten en een maquette van de twee verdiepingen in Wiels waar zijn ‘One Inch Off’ zal komen. Onder het constante gezoem van de verwarmingsblazer en met een kop Genmaicha-thee nemen we plaats in twee strandstoelen om het te hebben over zijn werk, zijn universum en zijn perceptiebegoochelingen. “Gaat het wel lukken met die chauffage? Toch veel lawaai hè?”

Benoit Platéus: "Ik werkte vroeger vaak in de publieke ruimte. Dat is iets waar ik weer meer tijd voor wil maken. Ik deed graffiti met stencils, of bevestigde collages onder plexi aan banken. Het idee om een werk te installeren zonder toelating, boeit me nog steeds."

Evelyn SIMONS

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Benoit Platéus, ‘One Inch Off’, van 2 februari tot 28 april in Wiels, Van Volxemlaan 354, Brussel. Open di-zo 11 -18u. www.wiels.org

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In deze rubriek laten we kunstenaars aan het woord over het werk waarmee ze bezig zijn of dat af is en getoond wordt. Deze keer vertelt Tuur Van Balen van het kunstenaarsduo Revital Cohen & Tuur Van Balen over de in Congo gemaakte film ‘Trapped in the Dream of the Other’ en het proces daarrond – nu te zien in Mu.ZEE in Oostende.

“Wij werken al lang rond materialen en productieprocessen in de brede zin van het woord. De manier waarop objecten als een iPhone of een Playstation aan ons worden voorgesteld als erg neutraal – af, proper en niet-politiek – boeit ons. We willen dit soort objecten deconstrueren als het resultaat van juist heel politieke, culturele en ethische processen. In 2012-13 hebben we bijvoorbeeld een film gemaakt in een fabriek in China, die over het arbeidsaspect ging. ‘Trapped in the dream of the other’ gaat een stap verder, of eigenlijk een stap terug, van de arbeid die plaatsvindt in China tot waar de materialen van die objecten vandaan komen."

Anne-Marie POELS

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Enter #9: Trapped in the Dream of the Other. Revital Cohen & Tuur Van Balen tot 24 maart in Mu.ZEE, Romestraat 11, Oostende. Open di-zo van 10-18 u. www.muzee.be

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