De laureaten 2017 van het HISK exposeren in Brussel

Gepubliceerd op: 14 December 2017

‘The Grid and the Cloud: How to Connect’ titelt de afsluitende tentoonstelling van de laureaten 2017 aan het Gentse Hoger Instituut voor Schone Kunsten (HISK) in het centrum van Brussel. “Ik wil een gecureerde groepstentoonstelling en geen studententoonstelling brengen”, aldus curator Elena Sorokina.

Indra DEVRIENDT

 

Praktische Info

‘The Grid and the Cloud: How to Connect’ tot 17 december in Vanderborght Building, 4th floor, Schildknaapstraat 50-52, Brussel. Open ma-vr van 12-17u30, za-zo tot 19 u. www.hisk.edu 

Keywords

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‘The Grid and the Cloud: How to Connect’ titelt de afsluitende tentoonstelling van de laureaten 2017 aan het Gentse Hoger Instituut voor Schone Kunsten (HISK) in het centrum van Brussel. “Ik wil een gecureerde groepstentoonstelling en geen studententoonstelling brengen”, aldus curator Elena Sorokina.

Indra DEVRIENDT

 

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‘The Grid and the Cloud: How to Connect’ tot 17 december in Vanderborght Building, 4th floor, Schildknaapstraat 50-52, Brussel. Open ma-vr van 12-17u30, za-zo tot 19 u. www.hisk.edu 

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Galerie Emergent, gevestigd in het oude Huis De Valk op de Grote Markt in Veurne, bestaat nu viereneenhalf jaar. Dat betekent dus dat de eerste proefperiode, vooropgesteld door een West-Vlaamse groep kunstliefhebbers annex investeerders, als gunstig werd geëvalueerd en dat we al halverwege een nieuwe periode van drie jaar zitten. Emergent is het geesteskind van kunsthistoricus en curator Frank Maes, die momenteel zijn doctoraat afwerkt, zodat de leiding nu in handen is van Roxane Baeyens.

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Griet Dobbels, ‘Hoger Lager’ en Frank Depoorter, ‘Zijlicht’ tot 7 januari in Emergent, Grote Markt, Veurne. Open vr (kerstvakantie)-za-zo van 14-18 u., www.emergent.be

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‘De Spinario – le tireur d’épine’
 
La Yoko Uhoda Gallery, à Knokke, propose, en cette période hivernale, ‘De Spinario – le tireur d’épine’ une exposition d’œuvres récentes du Liègeois Johan Muyle.
Passé la devanture, d’aucuns reconnaîtront la rutilante Harley Davidson jadis stationnée au MAC’s. À y regarder de plus près, on distingue une foule d’interventions discrètes, ou pas. Ainsi, une phrase inscrite sur le réservoir criblé de flèches, « Un monde où avoir, c’est être », tient évidemment lieu de critique de l’American way of life. Muyle met, pièce par pièce, la customisation au service de son art. Et crée, in fine, bien plus qu’une sculpture mobile et vrombissante, une dénonciation du consumérisme ambiant.
Au centre de l’espace, une statue de plâtre, d’une immaculée blancheur : il s’agit là de sa version, toute personnelle, du ‘tireur d’épine’. À cette figure du jeune homme en proie au désagrément, reprise au fil des siècles depuis l’antiquité, on a donné nombre de significations, de la souffrance amoureuse au péché meurtrissant l’âme. Muyle, lui, ajoute une machinerie tout droit sortie de son imaginaire : une mécanique tire et plante une épine du pied, perpétuellement. La structure, bien que de taille modeste, confère à l’éphèbe la stature d’un Gulliver.
Johan Muyle, à travers ces œuvres exposées, nous invite à nous pencher sur la condition humaine. À la manière du tireur d’épine.
 
Adrien COSTER

 

 

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‘Johan Muyle. De Spinario - Le tireur d’épine’ jusqu’au 14 janvier à la Yoko Uhoda Gallery, Zeedijk 723, Knokke-Heist. www.yoko-uhoda-gallery.com
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