De kunst van het falen: Luc Tuymans

Gepubliceerd op: 22 October 2015

“Hij die nooit gefaald heeft, heeft nooit iets ontdekt.” Zo wist schrijver Samuel Smiles al. Maar welke plaats neemt falen in het werk van onze hedendaagse kunstenaars in? Hoe gaan zij om met beperkingen? Is de perfectie iets om van te dromen of voor te bibberen? Hoe goed beheersen zij de kunst van het falen? Vandaag is het de beurt aan schilder Luc Tuymans. “Je kan niet winnen, maar het is wel belangrijk hoe je verliest.”

Luc Tuymans: "Ik ben geen kunstenaar geworden om veel geld te verdienen. Je wordt kunstenaar om een bepaalde vorm van respect te krijgen. Dat is het allerbelangrijkste. Maar op een bepaald moment is dat werk zo belangrijk geworden, dat het eigenlijk steeds minder met het echte leven te maken heeft."

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“Hij die nooit gefaald heeft, heeft nooit iets ontdekt.” Zo wist schrijver Samuel Smiles al. Maar welke plaats neemt falen in het werk van onze hedendaagse kunstenaars in? Hoe gaan zij om met beperkingen? Is de perfectie iets om van te dromen of voor te bibberen? Hoe goed beheersen zij de kunst van het falen? Vandaag is het de beurt aan schilder Luc Tuymans. “Je kan niet winnen, maar het is wel belangrijk hoe je verliest.”

Luc Tuymans: "Ik ben geen kunstenaar geworden om veel geld te verdienen. Je wordt kunstenaar om een bepaalde vorm van respect te krijgen. Dat is het allerbelangrijkste. Maar op een bepaald moment is dat werk zo belangrijk geworden, dat het eigenlijk steeds minder met het echte leven te maken heeft."

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Wie bij een schilderij louter denkt aan verf op canvas, komt bij het recente werk van Tina Gillen bedrogen uit. Voor haar presentatie in Bozar trekt ze alle registers open. Naast beschilderde doeken en panelen toont ze een wandschildering en een installatie, waarin ze presentatiemogelijkheden en de perceptie van schilderijen aftast. Haar omgang met verf en drager gaat ver. Ze toont een gedurfde vertaling van haar vertrouwde beeldtaal, wat een verrassend en samenhangend geheel oplevert.

Tina Gillen: "Ik wilde geen selectie van schilderijen ophangen, maar de dimensies van de ruimte erbij betrekken. Door de ruimte aan de ene kant af te sluiten met een wand, wil ik een contemplatieve, intieme ruimte creëren."

 

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‘Echo’ tot 7 februari in de Raadzaal van Bozar, Ravensteinstraat 23, Brussel. Open van di-za van 11-19 u. www.bozar.be

Vanaf 13 november is een publicatie te koop met werk van Tina Gillen van 2010 tot heden. Ca. 128pp., met een tekst van Eva Wittocx.

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Wat doet het met je als je als jong kind naar een compleet ander land verhuist en in een vreemde omgeving een andere taal en nieuwe cultuur moet leren kennen? Van Meggy Rustamova (°1985, Tbilisi, Georgië, woont en werkt in Gent) maakte het in ieder geval een observator bij uitstek, iemand die van langs de zijlijn details waarneemt, situaties registreert en die zo open mogelijk voorschotelt aan haar publiek, dat er op zijn beurt zijn eigen ervaringen in kan projecteren. Met ‘Observations’ heeft Rustamova in de Brusselse Beursschouwburg haar eerste grote solo, waarin ze een aantal videowerken en foto-installaties samen toont.

Meggy Rustamova: "Ik probeer de werken zodanig te maken, dat ze niet vol informatie zitten, maar dat er voldoende ruimte is voor de toeschouwer om zijn eigen leefwereld, fantasie, biografie te projecteren."

 

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Meggy Rustamova ‘Observations’ tot 28 november in Beursschouwburg, A. Ortsstraat 20-28, Brussel. Open wo-vr van 12-18 u., za van 12-19 u. www.beursschouwburg.be

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