David Claerbout over zijn laatste twee video’s

Gepubliceerd op: 20 July 2017

David Claerbout leek wel alomtegenwoordig tijdens de voorbij Art Basel. Op Art Unlimited was ‘The pure necessity’ te zien, zeg maar zijn versie van ‘The Jungle Book’, terwijl het privémuseum Schaulager gedurende zes maanden zijn magistrale video ‘Olympia’ toont. Het ideale moment om met hem de balans op te maken van zijn werk.

Sam STEVERLYNCK

David Claerbout: "Ik heb een ‘partituur’ geschreven voor het werk waarin alle ideeën voor de duizend jaar zijn uitgewerkt. Het is een heus boek geworden. Na vijfentwintig jaar is het aan de copyright-houders van het werk – de eigenaars – om samen te komen en te beslissen of ze het voortzetten of niet."

 

Praktische Info

David Claerbout,‘Olympia’, tot 22 oktober in Schaulager, Bazel, www.schaulager.org

Tijdens de Museumnacht op zaterdag 5 augustus toont Cinema Zuid in Antwerpen (Waalsekaai) doorlopend ‘The Pure Necessity’.

Keywords

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David Claerbout leek wel alomtegenwoordig tijdens de voorbij Art Basel. Op Art Unlimited was ‘The pure necessity’ te zien, zeg maar zijn versie van ‘The Jungle Book’, terwijl het privémuseum Schaulager gedurende zes maanden zijn magistrale video ‘Olympia’ toont. Het ideale moment om met hem de balans op te maken van zijn werk.

Sam STEVERLYNCK

David Claerbout: "Ik heb een ‘partituur’ geschreven voor het werk waarin alle ideeën voor de duizend jaar zijn uitgewerkt. Het is een heus boek geworden. Na vijfentwintig jaar is het aan de copyright-houders van het werk – de eigenaars – om samen te komen en te beslissen of ze het voortzetten of niet."

 

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David Claerbout,‘Olympia’, tot 22 oktober in Schaulager, Bazel, www.schaulager.org

Tijdens de Museumnacht op zaterdag 5 augustus toont Cinema Zuid in Antwerpen (Waalsekaai) doorlopend ‘The Pure Necessity’.

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Antwerpen, 1993. In het kader van de titel Culturele Hoofdstad die Antwerpen verwierf, presenteert het Middelheimmuseum de tentoonstelling ‘Nieuwe Beelden’. Het museum start opnieuw met het uitbouwen van zijn collectie, vanaf dan met de focus op hedendaagse sculptuur. Een van de tien kunstenaars die deelnemen, is de Brit Richard Deacon met het werk ‘Never Mind’. Het werk is het meest monumentale van de tentoonstelling, met zijn statige verschijning, gladde, geometrische vorm, zijn afmetingen en de drie ranke, maar stevige poten. Tegelijk is het een erg bizar, niet te categoriseren ding; opgebouwd uit hout, gebaseerd op scheepsbouwtechnieken, en als dusdanig weinig of niet gelinkt aan het gedurige karakter van een monument. Als een Unidentified (Flying) Object lijkt het te zijn neergedaald op het grasplein van het museumpark. De schaarse details die het ‘ding’ bezit, zijn twee keer het houten inlegwerk, aan de kopse zijden van de ellipsoïde.

Louis DE MEY

Richard Deacon: "Hoe zet je iets op de grond dat op zichzelf misschien niet voldoende stabiel is, zonder de toevlucht te nemen naar de klassieke museale instrumenten? Door hiervoor onbewerkte materialen te nemen, blijft het werk in dezelfde ruimte als de kijker, in plaats van hem te scheiden van het werk."

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Richard Deacon ‘Some Time’ tot 24 september in Middelheimmuseum, Middelheimlaan 61, Antwerpen. Open di-zo in juni en juli van 10-21 u., in augustus van 10-20 u., in september van 10-19 u. www.middelheimmuseum.be

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Mondriaan was maar een stijve hark, vindt Folkert de Jong. En dus voorzag hij hem in een fotomontage van schaars geklede dames, op de honderdste verjaardag van de Stijl. In een associatieve installatie ‘Weird Science’ in GEM, Den Haag legt hij zichzelf naast De Stijlkunstenaars onder wie Theo Van Doesburg, zijn vrouw Nelly en Mondriaan.

Machteld LEIJ

Folkert de Jong: "Ik had me nooit eerder met mijn zelfportret bezig gehouden, omdat ik me er onprettig en kwetsbaar bij voel. Dat faillissement deed me beseffen dat ik kwetsbaar ben, dat wilde ik onderzoeken."

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Folkert de Jong, ‘Weird Science’, tot 20 augustus in GEM, Museum voor Actuele Kunst, Stadhouderslaan 43, Den Haag, NL. Open di-zo van 11-18 u. www.gem-online.nl

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