David Claerbout, altijd en overal

Gepubliceerd op: 21 June 2018

Tijdsduur voelbaar maken als een ruimtelijkheid. Het is een tour de force waar Belgisch videokunstenaar David Claerbout zijn levenswerk van heeft gemaakt. En op meesterlijke wijze! Zo blijkt maar weer uit de video ‘The Pure Necessity’(2016) die tot 30 juni bij Micheline Szwajcer voor het eerst in België te zien is. ‘Ik probeer een lans te breken voor een half bewusteloze staat. Ik ben een geallieerde van tijdverlies.’

Sofie CRABBÉ

Fotogalerij

Praktische Info

‘David Claerbout / The Pure Necessity’ tot 30 juni bij Micheline Szwajcer, Verlatstraat 14, Antwerpen. Open do-za van 10-18 u. en op afspraak. www.gms.be
David Claerbout, ‘Erzähl mir das Ende’ tot 25 augustus in Espace Louis Vuitton, Maximilianstrasse 2a, München, 
Publieke opdracht, permanent, opening: 28 juni, metroverbinding onder centraal station Amsterdam
‘David Claerbout’ van 14 juli tot 7 oktober in Kunsthaus Bregenz, Karl-Tizian-Platz, Bregenz, AT. www.kunsthaus-bregenz.at

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Tijdsduur voelbaar maken als een ruimtelijkheid. Het is een tour de force waar Belgisch videokunstenaar David Claerbout zijn levenswerk van heeft gemaakt. En op meesterlijke wijze! Zo blijkt maar weer uit de video ‘The Pure Necessity’(2016) die tot 30 juni bij Micheline Szwajcer voor het eerst in België te zien is. ‘Ik probeer een lans te breken voor een half bewusteloze staat. Ik ben een geallieerde van tijdverlies.’

Sofie CRABBÉ

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‘David Claerbout / The Pure Necessity’ tot 30 juni bij Micheline Szwajcer, Verlatstraat 14, Antwerpen. Open do-za van 10-18 u. en op afspraak. www.gms.be
David Claerbout, ‘Erzähl mir das Ende’ tot 25 augustus in Espace Louis Vuitton, Maximilianstrasse 2a, München, 
Publieke opdracht, permanent, opening: 28 juni, metroverbinding onder centraal station Amsterdam
‘David Claerbout’ van 14 juli tot 7 oktober in Kunsthaus Bregenz, Karl-Tizian-Platz, Bregenz, AT. www.kunsthaus-bregenz.at
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Voor curator Luc Tuymans is de barok geen afgesloten stijlperiode. Kenmerken zoals overdaad, dynamiek, intensiteit, dreiging en geweld vindt hij ook terug bij een hele reeks hedendaagse kunstenaars. In de tentoonstelling ‘Sanguine / Bloedrood’ in M HKA in Antwerpen brengt Tuymans meer dan zestig kunstenaars samen: van Caravaggio over Ed Kienholz tot On Kawara en Jan Van Imschoot. Een bijwijlen intense en verwarrende ervaring.

Eric RINCKHOUT

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‘Sanguine / Bloedrood. Luc Tuymans on Baroque’ tot 16 september in M HKA, Leuvenstraat 32, Antwerpen. www.muhka.be. Eind juni komt er nog een tweede Caravaggio: ‘Jongen die gebeten wordt door een hagedis’.

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Ooit zat ik in een discussie over een onbegrepen film met een Grote Antropologische Filmmaker die uitdraaide op de vraag: “Mais où est le regard?” Waar is de blik? Wie kijkt? Wat is het standpunt? Mijn antwoord – beetje treiterig, ik geef het toe – was: “Overal!” Iedereen kijkt. Niet enkel de Grote Antropologische Filmmaker zelf kijkt, maar ook zijn onderwerp kijkt terug en ook in het publiek zitten tientallen mensen die – elk op hun eigen en eigenzinnige manier – meekijken. Die blikken wisselen elkaar af, gaan in verschillende richtingen, met diverse intensiteiten en spreken elkaar dikwijls tegen bovendien. Dat spel wordt zeer concreet in de actuele tentoonstellingen bij Argos.

Pieter VAN BOGAERT

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Bie Michels & Marie Voignier. ‘Dialoguing Gazes’; Laurent Van Lancker. ‘Disorientation(s)’ tot 15 juli bij Argos, Werfstraat 13, Brussel. Open wo-zo van 11-18u. www.argosarts.org

Tussen 20 en 30 juni presenteert Cinematek in Brussel een programma met films van en een carte blanche voor Laurent Van Lancker. ‘Kalès’ draait er op 24 juni. Info en uren op www.cinematek.be

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