Daniëls niet Daniëls

Gepubliceerd op: 20 September 2018
Naar aanleiding van de solotentoonstelling van de Nederlandse kunstenaar René Daniëls (°1950, Eindhoven), ‘Fragmenten uit een onvoltooide roman’ in Wiels Brussel, vroegen we Frank Lubbers een tekst te schrijven over het recente werk van Daniëls. Frank Lubbers was als conservator bij het Stedelijk Museum en als hoofdconservator in het Van Abbemuseum goed vertrouwd met René Daniëls en diens werk. De titel van zijn essay, ‘Daniëls geen Daniëls’, is een knipoog naar een artikel van Guido Goossens in De Witte Raaf in 2012. Ook Lubbers stelt, net als Goossens, dat het werk voor en na Daniëls’ hersenbloeding in 1987 niet echt met elkaar kan vergeleken worden. Daar bestaat nogal wat controverse over.
 
Het is niet eenvoudig om nog iets over René Daniëls te zeggen dat niet al eerder en ook beter door anderen is gezegd. Toch moet het verhaal van zijn snelle ontwikkeling vanaf 1977, de tragische breuk door een hersenbloeding in 1987, de bescheiden hervatting van het oeuvre in 1997 en het ontstaan van de eerste nieuwe schilderijen in 2007 steeds opnieuw worden verteld. Ook de discussie over de waardering van zijn werk na 1987 moet blijvend gevoerd worden. Hij wordt door velen beschouwd als een van de belangrijkste kunstenaars van zijn generatie en volgens een enkeling is hij zelfs een van de grootste Nederlandse schilders van de 20ste eeuw. Zijn oeuvre is van blijvend internationaal belang gebleken.
 
Frank LUBBERS
Fotogalerij

Praktische Info

‘René Daniëls: Fragmenten uit een onvoltooide roman’ tot 6 januari 2019 in Wiels, Centrum voor Hedendaagse Kunst, Van Volxemlaan 354, Brussel. Open di-zo van 11-18 u. Elke 1ste en 3de wo. van de maand tot 21 u. www.wiels.org

Keywords

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Naar aanleiding van de solotentoonstelling van de Nederlandse kunstenaar René Daniëls (°1950, Eindhoven), ‘Fragmenten uit een onvoltooide roman’ in Wiels Brussel, vroegen we Frank Lubbers een tekst te schrijven over het recente werk van Daniëls. Frank Lubbers was als conservator bij het Stedelijk Museum en als hoofdconservator in het Van Abbemuseum goed vertrouwd met René Daniëls en diens werk. De titel van zijn essay, ‘Daniëls geen Daniëls’, is een knipoog naar een artikel van Guido Goossens in De Witte Raaf in 2012. Ook Lubbers stelt, net als Goossens, dat het werk voor en na Daniëls’ hersenbloeding in 1987 niet echt met elkaar kan vergeleken worden. Daar bestaat nogal wat controverse over.
 
Het is niet eenvoudig om nog iets over René Daniëls te zeggen dat niet al eerder en ook beter door anderen is gezegd. Toch moet het verhaal van zijn snelle ontwikkeling vanaf 1977, de tragische breuk door een hersenbloeding in 1987, de bescheiden hervatting van het oeuvre in 1997 en het ontstaan van de eerste nieuwe schilderijen in 2007 steeds opnieuw worden verteld. Ook de discussie over de waardering van zijn werk na 1987 moet blijvend gevoerd worden. Hij wordt door velen beschouwd als een van de belangrijkste kunstenaars van zijn generatie en volgens een enkeling is hij zelfs een van de grootste Nederlandse schilders van de 20ste eeuw. Zijn oeuvre is van blijvend internationaal belang gebleken.
 
Frank LUBBERS
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‘René Daniëls: Fragmenten uit een onvoltooide roman’ tot 6 januari 2019 in Wiels, Centrum voor Hedendaagse Kunst, Van Volxemlaan 354, Brussel. Open di-zo van 11-18 u. Elke 1ste en 3de wo. van de maand tot 21 u. www.wiels.org

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Het gaat hard voor de jonge kunstenaar Ben Sledsens. Hij is pas zeventwintig en zojuist opende zijn tweede solotentoonstelling bij Tim Van Laere Gallery. De interesse in zijn werk is groot. Ook het M HKA heeft al werk van hem gekocht. In Sledsens’ frisse, toegankelijke schilderijen zitten dan wel tal van kunsthistorische verwijzingen, hij heeft wel degelijk een herkenbare stijl.

Ben Sledsens: "‘Soms heb ik heimwee naar een doek en zijn er elementen die ik wil hernemen. Ik probeer het dan op een andere manier te interpreteren. Monet schilderde ook steeds waterlelies. Ik vind het interessant om me opnieuw in vraag te stellen."

Sam STEVERLYNCK

 

 

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Ben Sledsens, ‘Two Trees’ tot 20 oktober in Tim Van Laere Gallery, Verlatstraat 23-25, Antwerpen. Open di-za van 13-18 u. www.timvanlaeregallery.com

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Ze trokken er de voorbije lente onder meer mee naar de Designbeurs in Milaan en de Architectuurbiënnale in Venetië: de Limburgse kunstinstelling Z33 vernieuwt zijn werking grondig én krijgt, naast de bestaande ruimte, een gloednieuw gebouw. Z33 is één van die provinciale instellingen die moesten inkantelen: ofwel naar de gemeente, ofwel naar de Vlaamse Gemeenschap. Artistiek directeur Jan Boelen en zakelijk directeur Jan Bloemen kozen voor een én-én-verhaal. Een gesprek, als introductie op het nieuwe kunstenseizoen.

Jan Boelen: "Wat ik interessant vind zijn de kritische en poëtische reflecties die kunst én design kunnen hebben op het alledaagse leven. Daar raken design en kunst elkaar op een boeiende manier. Maar het blijven fundamenteel verschillende disciplines."

Marc RUYTERS

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‘Politics of Design: Act 1’ tot 2 december in Z33, Zuivelmarkt 33 Hasselt. Open di-vr van 10-17 u., za-zo van 11-17 u. www.z33.be

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