Dan Graham in De Pont Tilburg

Gepubliceerd op: 13 February 2014

Dan Graham moet eerst even een stukje appeltaart eten en de krant lezen voor hij tijd heeft. Hij is net een paar dagen in Nederland, voor zijn nieuwe tentoonstelling met de bekende paviljoens in tweezijdig spiegelglas in De Pont in Tilburg, Nederland. Er zijn veel maquettes en een nieuw werk dat hij speciaal voor de tentoonstelling maakte. Die is half ingericht als we elkaar spreken in het cafetaria van het museum.

Dan Graham: “Ik denk dat veel kunstenaars een onjuist idee hebben van de jaren zestig. Maar die tijden waren niet utopisch, ze hebben eenvoudigweg de literatuur uit die tijd te oppervlakkig geïnterpreteerd. Het was een complexe periode. Net als drugs: het gebruik daarvan kon bevrijdend zijn, maar het zorgde ook voor een psychotische vertekening bij sommigen. Mijn werk veranderde ingrijpend door het gebruik van hasj. In tegenstelling tot het minimalisme waarbij het hier en nu prevaleerde, kreeg ik oog voor begrippen als duur en tijd.”

Praktische Info

www.depont.nl

Keywords

Geen keywords beschikbaar.

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Dan Graham moet eerst even een stukje appeltaart eten en de krant lezen voor hij tijd heeft. Hij is net een paar dagen in Nederland, voor zijn nieuwe tentoonstelling met de bekende paviljoens in tweezijdig spiegelglas in De Pont in Tilburg, Nederland. Er zijn veel maquettes en een nieuw werk dat hij speciaal voor de tentoonstelling maakte. Die is half ingericht als we elkaar spreken in het cafetaria van het museum.

Dan Graham: “Ik denk dat veel kunstenaars een onjuist idee hebben van de jaren zestig. Maar die tijden waren niet utopisch, ze hebben eenvoudigweg de literatuur uit die tijd te oppervlakkig geïnterpreteerd. Het was een complexe periode. Net als drugs: het gebruik daarvan kon bevrijdend zijn, maar het zorgde ook voor een psychotische vertekening bij sommigen. Mijn werk veranderde ingrijpend door het gebruik van hasj. In tegenstelling tot het minimalisme waarbij het hier en nu prevaleerde, kreeg ik oog voor begrippen als duur en tijd.”

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www.depont.nl

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Heeft kunst een helende kracht? Allicht hebben kunstwerken effect op de gezondheid. Op 75-jarige leeftijd startte Willem de Kooning, door alcohol vergiftigd, een nieuwe fase in zijn werk. Hij ging weer schilderen. Soms maakt een kunstenaar nog zijn beste werk aan het eind van zijn levensloop.

Anderzijds heeft kunst ook een positieve uitwerking op de gezondheid van mensen. Kunst compenseert kennelijk onze aangeboren gebreken en onze sores. Is kunst een therapeutisch medium, voor zowel de zieke of oudere kunstenaar als voor het troostzoekende publiek?

In hun nieuwste boek, ‘Kunst als therapie’, houden Alain de Botton en John Armstrong een vurig pleidooi voor een ‘kunstgereedschapskist’ waarmee ‘je je leven rijker en completer kunt maken’.

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Vanaf 15 februari begint in het kleine circuit van het Brusselse Paleis voor Schone Kunsten een overzichtstentoonstelling van Michaël Borremans met een honderdtal werken die werden geselecteerd door de kunstenaar en Jeffrey Grove, curator in het Dallas Museum of Art.

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