Contour8 in Mechelen

Gepubliceerd op: 23 March 2017

Veel ernstige gezichten op die zonnige eerste dag van Contour, de Mechelse biënnale voor bewegend beeld. Zoekend naar betekenis liepen ze daar tussen al die video-, film-, gedrukte of geweven beelden uit alle hoeken van de wereld vol recht en (vooral) onrecht. Contour8 is niet alleen de grootste, maar zonder twijfel ook de moeilijkste editie van dit festival. Het argument van curator Natasha Ginwala is gewoon veel te ruim. Onmogelijk om scherp te stellen hier. De klok is nog wel te vinden, maar de klepel? Die is helemaal zoek.

Pieter VAN BOGAERT

Praktische Info

Contour8. Polyphonic Worlds: Justice as Medium. Tot 21 mei op verschillende locaties in Mechelen. Startpunt: De Garage, Onder de Toren. Tijdens de week 9-17u. In het weekend 10-18u. Gesloten op woensdag. www.contour8.be

Keywords

Geen keywords beschikbaar.

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Veel ernstige gezichten op die zonnige eerste dag van Contour, de Mechelse biënnale voor bewegend beeld. Zoekend naar betekenis liepen ze daar tussen al die video-, film-, gedrukte of geweven beelden uit alle hoeken van de wereld vol recht en (vooral) onrecht. Contour8 is niet alleen de grootste, maar zonder twijfel ook de moeilijkste editie van dit festival. Het argument van curator Natasha Ginwala is gewoon veel te ruim. Onmogelijk om scherp te stellen hier. De klok is nog wel te vinden, maar de klepel? Die is helemaal zoek.

Pieter VAN BOGAERT

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Contour8. Polyphonic Worlds: Justice as Medium. Tot 21 mei op verschillende locaties in Mechelen. Startpunt: De Garage, Onder de Toren. Tijdens de week 9-17u. In het weekend 10-18u. Gesloten op woensdag. www.contour8.be

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Bij Sofie Van de Velde loopt nog een aantal dagen de solo ‘Halfs – om Heels’ met nieuwe sculpturen en een zestal tekeningen van Rein Dufait (°1990, Oostende). Een blik op het geheel verraadt een spel van lijnen: die van verschillende soorten draad tussen vellen doorzichtig folie, of die van latjes plexi in een stapeling cement, de lijnen van een cuttermes doorheen strepen alcoholstift, die van het roest van stalen platen op plastiek of de meer grillige van de takken eronder. Toch lijkt dat onderlinge verband eerder onopzettelijk en voor rekening van ondergetekende, dan dat het door Dufait werd voorzien. Die laat zich in de eerste plaats uitdagen door sculpturale vraagstukken en komt zo tot erg subtiele werkjes van een grote fragiliteit.

Anne-Marie POELS

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Rein Dufait, ‘Halfs – om Heels’ tot 25 maart in Gallery Sofie Van de Velde, Lange Leemstraat 262, Antwerpen. Open do-za van 14-18 u. www.sofievandevelde.be

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Architect Paul Robbrecht, van het fameuze architectenbureau Robbrecht & Daem (zie het Concertgebouw in Brugge, de Stadshal Gent, de uitbouw van Boijmans-Van Beuningen in Rotterdam, Vanhaerents Art Collection in Brussel, Whitechapel Art Gallery in Londen, Het Huis in Middelheim Antwerpen …) heeft iets met beeldende kunst. Maar hij is ook een verwoed … poppenspeler, eerst voor zijn kleinkinderen, nadien ook voor de schoolklasjes waarin die kleinkinderen zitten.

Alles gaat terug naar Robbrechts eigen jeugd in zijn geboortedorp Lovendegem, waar hij op zondag geregeld naar het poppenkasttheater mocht. Het zou hem als grootvader inspireren: hij bouwde een eigen poppenkast, mét voorlopig een vijfentwintigtal poppen in klei, gekleed met textiel uit onder meer zijn oude overhemden (en glitter uit Turkse winkels in de Gentse Sleepstraat). Maar Robbrecht zou Robbrecht niet zijn als hij zijn opvouwbare poppenkast geen architecturale dimensies mee gaf: de contouren van de Gentse Stadshal (de ‘schaapstal’ in de Gentse volksmond) zitten er in, en er zijn ook kleine, vernuftige luikjes en schuifjes voorzien, om bijvoorbeeld een spiekbriefje in op te bergen. Robbrecht gebruikte géén schreeuwlelijke zuurstokkleuren (zie foto). De poppenkast wordt in beperkte oplage geproduceerd, à 4950 euro per stuk.

 

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De poppenkast is tot 4 juni te zien in Gallery valerie_traan, Reyndersstraat 22 Antwerpen. Open do-za van 14-18 u., www.valerietraan.be

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