Coming to terms with Bucharest Biennale 7

Gepubliceerd op: 23 June 2016

In dit derde en laatste deel over de Bucharest Biennale 7 maken curator Niels Van Tomme en assistent-curator Charlotte Van Buylaere samen met kunstenaarsduo Vermeir & Heiremans de balans op van hun aandeel in dit project. Vermeir & Heiremans definiëren hun huis – een loft in een postindustrieel pand in Brussel – als kunstwerk om de dynamische, globale verhoudingen tussen kunst, architectuur en economie te onderzoeken. Hoe beleefden de kunstenaars de samenwerking aan de biënnale? Wat waren hun drijfveren om deel te nemen? En welke plaats neemt het werk dat ze er voor creëerden in in hun artistieke praktijk? 

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In dit derde en laatste deel over de Bucharest Biennale 7 maken curator Niels Van Tomme en assistent-curator Charlotte Van Buylaere samen met kunstenaarsduo Vermeir & Heiremans de balans op van hun aandeel in dit project. Vermeir & Heiremans definiëren hun huis – een loft in een postindustrieel pand in Brussel – als kunstwerk om de dynamische, globale verhoudingen tussen kunst, architectuur en economie te onderzoeken. Hoe beleefden de kunstenaars de samenwerking aan de biënnale? Wat waren hun drijfveren om deel te nemen? En welke plaats neemt het werk dat ze er voor creëerden in in hun artistieke praktijk? 

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Twijfelen tussen schrijnend of ludiek

Het is het meest smerige portret van een stad dat je je kunt bedenken: tonnen menselijk afval, in keurige blokken gerangschikt. Het ziet er prachtig uit, alsof stukken aardkorst zijn afgestoken. Maar de stank grijpt je naar de keel. De 800.000 kilo oogst na een dagje verzamelen in het riool van Zürich zorgt ervoor dat niemand lang in de ruimte in de Löwenbräuhaus in Zürich blijft. Dit werk van Mike Bouchet, dat er zo indrukwekkend uitziet, is niet enkel het resultaat van sluikstorten maar ook van vergaarwerk, van arbeid door de stedelijke zuiveringsinstallatie. Manifesta 11 is net geopend in Zürich, met als titel: ‘What People do for Money’.

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In de tweede editie van STRTKit delen opnieuw vijf jonge kunstenaars (in feite vier en één kunstenaarsduo) een jaar lang een atelier onder de vleugels van Studio Start, AIR en Extra City. Die zorgen voor de praktische omkadering en voor een intensieve begeleiding via studiobezoeken, gesprekken met curators, een projectweek in het buitenland en een groepstentoonstelling aan het eind van het project. H ART stelt elk van de kunstenaars aan u voor. Op de dag van de vernissage van de groepstentoonstelling ‘Tradition does not graduate’ in KOMPLOT in Brussel, vertelt Maika Garnica over haar werk.

‘Werk maken is dingen zichtbaar maken’

De tentoonstelling is de afsluiting van de Master of Research in Art & Design, het postgraduate programma dat Maika Garnica (°1992, Dendermonde) afgelopen jaar volgde aan het St. Lucas in Antwerpen. Het onderzoekende aspect ervan, het met anderen praten over je werk, het lezen en schrijven van essays over kunst …: het waren aspecten die ze verder wilde ontwikkelen na haar master in de beeldhouwkunst aan de academie. Al reflecterende tekenden zich binnen haar werk tot nu toe steeds duidelijker twee richtingen af: enerzijds de keramische geluidsobjecten en anderzijds de acties die ze doet binnen een bepaalde context.

Maika Garnica: "‘Dat blijven zoeken naar nieuwe manieren waarop je hetzelfde materiaal kunt bewerken is belangrijk. Volgens mij is hoe je werkt met een materiaal helemaal gelinkt aan hoe je denkt over wat je aan het maken bent."

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[id_image] => 2376 [img_type] => jpg [img_published] => 1 [img_publish_date_start] => 2016-06-20 [img_publish_date_end] => [img_title] => Cover H ART #158 [img_caption] => Cover H ART #158 [img_date_created] => 2016-06-20 10:47:29 [id_event] => [evt_content_id] => [evt_date_start] => [evt_date_end] => ) [tags] => Array ( [0] => stdClass Object ( [id_tag] => 324 [tag_title] => Bucharest [tgg_tag_id] => 324 [tgg_content_id] => 1673 ) [1] => stdClass Object ( [id_tag] => 326 [tag_title] => Niels Van Tomme [tgg_tag_id] => 326 [tgg_content_id] => 1673 ) [2] => stdClass Object ( [id_tag] => 327 [tag_title] => Charlotte Van Buylaere [tgg_tag_id] => 327 [tgg_content_id] => 1673 ) [3] => stdClass Object ( [id_tag] => 458 [tag_title] => Biënnale [tgg_tag_id] => 458 [tgg_content_id] => 1673 ) [4] => stdClass Object ( [id_tag] => 980 [tag_title] => Vlaamse Gemeenschap [tgg_tag_id] => 980 [tgg_content_id] => 1673 ) [5] => stdClass Object ( [id_tag] => 2306 [tag_title] => boekarest [tgg_tag_id] => 2306 [tgg_content_id] => 1673 ) [6] => stdClass Object ( [id_tag] => 2307 [tag_title] => bucharest biennale [tgg_tag_id] => 2307 [tgg_content_id] => 1673 ) [7] => stdClass Object ( [id_tag] => 2308 [tag_title] => bucharest biennale 7 [tgg_tag_id] => 2308 [tgg_content_id] => 1673 ) [8] => stdClass Object ( [id_tag] => 2309 [tag_title] => vermeir& heiremans [tgg_tag_id] => 2309 [tgg_content_id] => 1673 ) [9] => stdClass Object ( [id_tag] => 2310 [tag_title] => billboard [tgg_tag_id] => 2310 [tgg_content_id] => 1673 ) [10] => stdClass Object ( [id_tag] => 2311 [tag_title] => BB7 [tgg_tag_id] => 2311 [tgg_content_id] => 1673 ) [11] => stdClass Object ( [id_tag] => 2312 [tag_title] => in-residence [tgg_tag_id] => 2312 [tgg_content_id] => 1673 ) [12] => stdClass Object ( [id_tag] => 2313 [tag_title] => schumpeter [tgg_tag_id] => 2313 [tgg_content_id] => 1673 ) [13] => stdClass Object ( [id_tag] => 2314 [tag_title] => creative destruction [tgg_tag_id] => 2314 [tgg_content_id] => 1673 ) [14] => stdClass Object ( [id_tag] => 2315 [tag_title] => perpetual BB7 [tgg_tag_id] => 2315 [tgg_content_id] => 1673 ) [15] => stdClass Object ( [id_tag] => 2316 [tag_title] => kapitalisme [tgg_tag_id] => 2316 [tgg_content_id] => 1673 ) [16] => stdClass Object ( [id_tag] => 2317 [tag_title] => what are we building down there? [tgg_tag_id] => 2317 [tgg_content_id] => 1673 ) ) [gallery] => Array ( ) [templates] => Array ( [0] => content.phtml [1] => content-article.phtml [2] => content-1673.phtml ) [activeMenuItem] => )