Christian Boltanski in MAC’s in Grand Hornu

Gepubliceerd op: 16 April 2015

“Ik ben geen moderne kunstenaar. Ik ben een schilder. Maar ik praat de taal van mijn tijd.” Christian Boltanski praat met foto’s, installaties met textiel, video’s, klanken... Sterke beelden die op het netvlies blijven hangen. De grote tentoonstelling in het MAC’s in Grand Hornu wil geen overzicht zijn, het is één geheel, een weg langs werken met alle thema’s dierbaar aan Boltanski: de dood, het verleden, het leven. Persoonlijke emoties en herinneringen borrelen onvermijdelijk op: “Je suis un minimaliste sentimental.”

Eliane VAN DEN ENDE

Fotogalerij

Praktische Info

Christian Boltanski ‘La Salle des Pendus’ tot 16 augustus in het MAC’s, rue Sainte Louise, Hornu. Open di-zo van 10-18 u. Elke eerste zondag van de maand is de toegang gratis; www.mac-s.be

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“Ik ben geen moderne kunstenaar. Ik ben een schilder. Maar ik praat de taal van mijn tijd.” Christian Boltanski praat met foto’s, installaties met textiel, video’s, klanken... Sterke beelden die op het netvlies blijven hangen. De grote tentoonstelling in het MAC’s in Grand Hornu wil geen overzicht zijn, het is één geheel, een weg langs werken met alle thema’s dierbaar aan Boltanski: de dood, het verleden, het leven. Persoonlijke emoties en herinneringen borrelen onvermijdelijk op: “Je suis un minimaliste sentimental.”

Eliane VAN DEN ENDE

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Christian Boltanski ‘La Salle des Pendus’ tot 16 augustus in het MAC’s, rue Sainte Louise, Hornu. Open di-zo van 10-18 u. Elke eerste zondag van de maand is de toegang gratis; www.mac-s.be

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De New Yorkse kunstenares Polly Apfelbaum (°1955) resideerde in 2013 een jaar lang aan de Amerikaanse Academie in Rome. In dat jaar dompelde ze zich onder in de Italiaanse cultuur en bezocht ze ook BE-PART in Waregem, die haar had uitgenodigd voor een in situ project. Het bezoek leidde tot de tapijtinstallatie ‘Deep Purple Red Shoes’, die geweldig goed is geïntegreerd in de ruimte.

Isabelle DE BAETS

Polly Apfelbaum: 'Toen ik de ruimte van BEPART bezocht, dacht ik aan de fresco’s en mozaïeken die ik recent in Italiaanse kerken en kloosters had gezien. Ik wou echt de ervaring van goed geïntegreerde kunst in de ruimte overbrengen in dit werk.'

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Polly Apfelbaum, ‘Deep Purple Red Shoes’ tot 31 mei in BE-PART, Westerlaan 17, Waregem. Open zo-vr van 11-17 u. www.bepartlive.org

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Ik leerde het werk van Stijn Van Dorpe kennen toen ik hem in 2007 op aanraden van Ada Van Hoorebeke uitnodigde voor de tentoonstelling ‘Small Stuff Three’. Het eerste beeld dat ik van hem zag, was een prachtige foto waarop je hem zwierig op de bovenrand van de ongeveer zestig centimeter hoge en een paar centimeters uitspringende plint van een voorgevel zag stappen (alsof hij over water liep). De interventies en filmpjes die hij voor de tentoonstelling maakte, waren voortbrengselen van een poëtische landmeter. Door het onzinnige of hopeloze afstappen, opmeten en met dunne, lange stokken markeren van een park en een tuin legde hij de broosheid bloot van dit landschap en de erin rondwarende helden.

Hans THEYS

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Stijn Van Dorpe, ‘Ideologie, AUB! Een denkmodel’ tot za 13 juni in Netwerk, Houtkaai, Aalst. Open wo-vr van 11-17 u., za-zo van 14-18 u. www.netwerk-art.be

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