Carole Vanderlinden in Kristof De Clercq Gallery

Gepubliceerd op: 26 March 2015

Carole Vanderlinden beoefent klassieke genres als landschap, stilleven en portret, maar haar invulling ervan is heel onorthodox. Ze werkt niet in reeksen of herhalingen, eerder werkt ze aan meerdere genres tegelijk. Deze manier van werken weerspiegelt zich in de presentatie van haar werk, waarbij ze ook alle genres door elkaar haspelt. In ‘Creole & Vanity’ bouwde ze een spannende dialoog op tussen recent en iets ouder werk. Haar schilderijen gedragen zich als uiteenlopende facetten in een beeldinstallatie. En toch is elk werk ook een intrigerende wereld op zichzelf. In het beeldvlak verschijnen verrassende kleuren, lijnen en abstracte vormencombinaties die in alle richtingen uitdeinen: een spectrum verkennend tussen ultieme stilstand (‘een stil leven’, zoals in ‘Sintra’(2014) – op elkaar gestapelde groene vlakken die refereren aan de kolommen van Brancusi) en ultieme snelle beweging zoals in ‘Etoile’ (2010) – een explosie van blauwe lichtstralen tegen een zwarte achtergrond, die herinnert aan een oerknal.

Isabelle De Baets

Praktische Info

Carole Vanderlinden ‘Creole & Vanity’ tot 12 april bij Kristof De Clercq Gallery, Tichelrei 82, Gent. Open wo-zo van 14-18 u. http://www.kristofdeclercq.com

Keywords

Geen keywords beschikbaar.

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Carole Vanderlinden beoefent klassieke genres als landschap, stilleven en portret, maar haar invulling ervan is heel onorthodox. Ze werkt niet in reeksen of herhalingen, eerder werkt ze aan meerdere genres tegelijk. Deze manier van werken weerspiegelt zich in de presentatie van haar werk, waarbij ze ook alle genres door elkaar haspelt. In ‘Creole & Vanity’ bouwde ze een spannende dialoog op tussen recent en iets ouder werk. Haar schilderijen gedragen zich als uiteenlopende facetten in een beeldinstallatie. En toch is elk werk ook een intrigerende wereld op zichzelf. In het beeldvlak verschijnen verrassende kleuren, lijnen en abstracte vormencombinaties die in alle richtingen uitdeinen: een spectrum verkennend tussen ultieme stilstand (‘een stil leven’, zoals in ‘Sintra’(2014) – op elkaar gestapelde groene vlakken die refereren aan de kolommen van Brancusi) en ultieme snelle beweging zoals in ‘Etoile’ (2010) – een explosie van blauwe lichtstralen tegen een zwarte achtergrond, die herinnert aan een oerknal.

Isabelle De Baets

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Carole Vanderlinden ‘Creole & Vanity’ tot 12 april bij Kristof De Clercq Gallery, Tichelrei 82, Gent. Open wo-zo van 14-18 u. http://www.kristofdeclercq.com

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Philippe Van Wolputte (°1980, Antwerpen) heeft in het Waregemse Claessens Artists’ Canvas, een fabriek met wereldfaam waar canvas voor schilderijen wordt geproduceerd en geprepareerd, een gigantische installatie gemaakt. In een grote bovenruimte, die nog zelden gebruikt wordt, bouwde Van Wolputte een enkele tientallen meter smalle, hoge gang met uit de productie genomen canvas, plakband, stellages en dies meer.

Marc Ruyters

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‘Fade Outs’ van Philippe Van Wolputte, tot 29 maart in Claessens Canvas, Molenstraat 47 en Bruthaus, Molenstraat 84, Waregem. Te bezoeken in de fabriek via afspraak: 0473 63 69 63. Bruthaus zelf is open za-zo van 14-18 u. www.bruthaus.be Coproductie van Be-Part, Claessens Artists’ Canvas en Bruthaus.

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Het was al van 2005 geleden dat Julião Sarmento een solo had in Dhondt-Dhaenens in Deurle en van 1999 dat zijn werk nog te zien was in Brussel. Maar nu is hij terug. Bij Daniel Templon waagt hij zich onder andere aan een herinterpretatie van Degas’ iconische ‘La Petite Danseuse de Quatorze Ans’.

Sam Steverlynck

Julião Sarmento: ‘Ik heb nooit een eigen stijl willen hebben. Maar geleidelijk aan heb ik daardoor toch een stijl ontwikkeld. Namelijk die van geen stijl te hebben’

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‘Easy Pairings Fractals Stars’, tot 18 april in Galerie Daniel Templon, Veydstraat 13a, Brussel. Open di-za van 11-18 u. www.danieltemplon.com

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