‘Black’ van Anouk De Clercq op Filmfestival Rotterdam

Gepubliceerd op: 22 January 2015

Ik beken. Deze kerstvakantie ben ik in een nationale multiplex gaan kijken naar ‘Dumb and Dumber to’. En ik beken: ik heb maar een halve film gezien. Niet dat ik het niet goed vond. Wel omdat de multiplexuitbaters een pauze in deze film noodzakelijk vonden. En als de lichten aangaan in de zaal, verdwijnt de magie van de film. Je ziet jezelf omringd door de échte domme mensen in de zaal. Met mijn muts diep over het hoofd vertrok ik weer naar buiten. De rest van de film zie ik later wel, als hij op tv komt.

Artikel door Pieter VAN BOGAERT

Praktische Info

‘Black’ van Anouk De Clercq is te zien op het Internationaal Filmfestival Rotterdam, van 21 januari tot 1 februari 2015. www.iffr.com

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Ik beken. Deze kerstvakantie ben ik in een nationale multiplex gaan kijken naar ‘Dumb and Dumber to’. En ik beken: ik heb maar een halve film gezien. Niet dat ik het niet goed vond. Wel omdat de multiplexuitbaters een pauze in deze film noodzakelijk vonden. En als de lichten aangaan in de zaal, verdwijnt de magie van de film. Je ziet jezelf omringd door de échte domme mensen in de zaal. Met mijn muts diep over het hoofd vertrok ik weer naar buiten. De rest van de film zie ik later wel, als hij op tv komt.

Artikel door Pieter VAN BOGAERT

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‘Black’ van Anouk De Clercq is te zien op het Internationaal Filmfestival Rotterdam, van 21 januari tot 1 februari 2015. www.iffr.com

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De Belgische kunstenaar Luc Tuymans is door de Rechtbank van Eerste Aanleg in Antwerpen veroordeeld voor plagiaat. Volgens de rechter was zijn schilderij ‘A Belgian Politician’ een inbreuk op de Auteurswet, omdat hij een foto van de Belgische fotografe Katrijn Van Giel als inspiratie voor het schilderij gebruikte. Van Giel spande een rechtszaak aan. Het ging om een foto van politicus Jean-Marie Dedecker. De verdediging voerde aan dat het schilderij geen reproductie, maar een parodie is en dat de foto, die in De Standaard gepubliceerd werd, slechts als inspiratiebron diende. Maar de rechter volgde die zienswijze niet. Zij vond dat het schilderij “vanuit geen enkele invalshoek als parodie beschouwd kon worden.”

“Dit is heel slecht nieuws voor de kunst”, reageerde Tuymans. “Want met zo’n uitspraak mag geen enkele kunstenaar nog vrijelijk omgaan met de beelden die zich massaal en via alle mogelijke media aandienen.”

In een internationaal persbericht stelt de verdediging van Luc Tuymans onder meer: “It is of upmost importance in a democratic society that artists can parody images. The recent judgement of the Court of Justice of the E.U. (Deckmyn judgement of EUCJ, dd. 3 September 2014), not even mentioned by the Judge, defines parody as follows: ‘The essential characteristics of parody are, first, to evoke an existing work while being noticeably different from it, and secondly, to constitute an exception of humour or mockery.’ (…) Luc Tuymans has an innate distrust of images. His artistic practice questions how we deal with images. ‘A Belgian Politician’ reprises a press photograph in a new form with its own discourse, painting, in a different intellectual context: contemporary art. By contrast, the commissioned press photograph of Jean-Marie Dedecker by Katrijn Van Giel illustrates a news fact in the newspaper De Standaard: a local populist politician’s downfall. Luc Tuymans’ intentions are different: a year after the disappearance of the politician’s one-man party, he decided the image could be emblematic for a wider discourse about Belgian politics. In the artwork this aim is activated through critical distance created by repetition resulting in irony.”

Luc Tuymans gaat tegen het vonnis in beroep.

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Van februari tot mei 2015 hackt Leuvense stadskunstenaar Ief Spincemaille de productieketen van Velo Leuven, een sociaal en ecologisch fietsproject. In plaats van oude en versleten fietsen recycleert hij er nu oude en versleten schilderijen. Hij ‘demonteert’ de werken tot er alleen nog afzonderlijke monochrome kleurvlakken overblijven. Deze ordent hij in de kleurenstock om ze tenslotte te assembleren tot een ‘nieuw’ tweedehands werk. Hiervoor verzamelen Velo en Ief maar liefst 2.000 schilderijen.
‘HACKING VELO: The (re)cycle of the artwork’ gaat op zoek naar de spanning tussen assemblage en creatie. Het ‘maken’ wordt naar een nieuwe context verplaatst om het van daaruit te herdenken. Is het mogelijk om binnen het vaste kader van een productieketen kunst te creëren? Is assemblage een vorm van creatie? En is niet alle kunst per definitie recyclage: het assembleren van meer en minder vertrouwde verwantschappen en verbanden?

De inzamelingscampagne loopt van maandag 2 tot en met zaterdag 28 februari 2015. Wie wil doneren, kan terecht bij SPIT Leuven of Velo (Veilingsite).
Ief Spincemaille geeft op zaterdag 28 februari 2015 (10-16u.) rondleidingen op de productiesite van ‘Hacking Velo’. De nieuwe installatie wordt onthuld op vrijdag 8 mei 2015 (19u).

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