Bie Michels, Marie Voignier en Laurent Van Lancker bij Argos

Gepubliceerd op: 21 June 2018

Ooit zat ik in een discussie over een onbegrepen film met een Grote Antropologische Filmmaker die uitdraaide op de vraag: “Mais où est le regard?” Waar is de blik? Wie kijkt? Wat is het standpunt? Mijn antwoord – beetje treiterig, ik geef het toe – was: “Overal!” Iedereen kijkt. Niet enkel de Grote Antropologische Filmmaker zelf kijkt, maar ook zijn onderwerp kijkt terug en ook in het publiek zitten tientallen mensen die – elk op hun eigen en eigenzinnige manier – meekijken. Die blikken wisselen elkaar af, gaan in verschillende richtingen, met diverse intensiteiten en spreken elkaar dikwijls tegen bovendien. Dat spel wordt zeer concreet in de actuele tentoonstellingen bij Argos.

Pieter VAN BOGAERT

Praktische Info

Bie Michels & Marie Voignier. ‘Dialoguing Gazes’; Laurent Van Lancker. ‘Disorientation(s)’ tot 15 juli bij Argos, Werfstraat 13, Brussel. Open wo-zo van 11-18u. www.argosarts.org

Tussen 20 en 30 juni presenteert Cinematek in Brussel een programma met films van en een carte blanche voor Laurent Van Lancker. ‘Kalès’ draait er op 24 juni. Info en uren op www.cinematek.be

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Ooit zat ik in een discussie over een onbegrepen film met een Grote Antropologische Filmmaker die uitdraaide op de vraag: “Mais où est le regard?” Waar is de blik? Wie kijkt? Wat is het standpunt? Mijn antwoord – beetje treiterig, ik geef het toe – was: “Overal!” Iedereen kijkt. Niet enkel de Grote Antropologische Filmmaker zelf kijkt, maar ook zijn onderwerp kijkt terug en ook in het publiek zitten tientallen mensen die – elk op hun eigen en eigenzinnige manier – meekijken. Die blikken wisselen elkaar af, gaan in verschillende richtingen, met diverse intensiteiten en spreken elkaar dikwijls tegen bovendien. Dat spel wordt zeer concreet in de actuele tentoonstellingen bij Argos.

Pieter VAN BOGAERT

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Bie Michels & Marie Voignier. ‘Dialoguing Gazes’; Laurent Van Lancker. ‘Disorientation(s)’ tot 15 juli bij Argos, Werfstraat 13, Brussel. Open wo-zo van 11-18u. www.argosarts.org

Tussen 20 en 30 juni presenteert Cinematek in Brussel een programma met films van en een carte blanche voor Laurent Van Lancker. ‘Kalès’ draait er op 24 juni. Info en uren op www.cinematek.be

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Tijdsduur voelbaar maken als een ruimtelijkheid. Het is een tour de force waar Belgisch videokunstenaar David Claerbout zijn levenswerk van heeft gemaakt. En op meesterlijke wijze! Zo blijkt maar weer uit de video ‘The Pure Necessity’(2016) die tot 30 juni bij Micheline Szwajcer voor het eerst in België te zien is. ‘Ik probeer een lans te breken voor een half bewusteloze staat. Ik ben een geallieerde van tijdverlies.’

Sofie CRABBÉ

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‘David Claerbout / The Pure Necessity’ tot 30 juni bij Micheline Szwajcer, Verlatstraat 14, Antwerpen. Open do-za van 10-18 u. en op afspraak. www.gms.be
David Claerbout, ‘Erzähl mir das Ende’ tot 25 augustus in Espace Louis Vuitton, Maximilianstrasse 2a, München, 
Publieke opdracht, permanent, opening: 28 juni, metroverbinding onder centraal station Amsterdam
‘David Claerbout’ van 14 juli tot 7 oktober in Kunsthaus Bregenz, Karl-Tizian-Platz, Bregenz, AT. www.kunsthaus-bregenz.at
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De Belgisch-Kroatische Hana Miletić (°1982) beweegt zich tussen haar geboortestad Zagreb en Brussel. Daar neemt ze op straat foto’s – bijvoorbeeld van werfdoeken of van kleine DIY-reparaties aan auto’s, ramen of deuren – die ze ondertussen al een aantal jaar vooral als bron voor haar geweven werken gebruikt: “Het lastige met fotografie is dat je met foto’s echt iets van de straat neemt. Door tijd in te lassen kan ik beter verantwoorden dat ik die beelden gebruik.” In WIELS zijn een heel aantal van de weefwerken die zo ontstonden bijeen gebracht, gecombineerd met de uitkomst van een samenwerkingsproject dat Miletić had met het kunstencentrum voor nieuwkomers Globe Aroma. Zo worden onmiddellijk twee heel belangrijke elementen binnen haar oeuvre zichtbaar.

Anne-Marie POELS

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Hana Miletić ‘Dependencies’ tot 12 augustus in WIELS, Van Volxemlaan 354, Brussel. Open www.wiels.org
Op 4 juli (19 u.) is er nog een lezing van Dessislava Dimova ‘On the modernist grid and the fabric of the world’.
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