‘Behind the curtain’ van Anton Cotteleer in De Garage in Mechelen

Gepubliceerd op: 15 September 2016
In ‘Behind the curtain’ kijkt Anton Cotteleer (°1974, Kalmthout) terug op zijn werk van de voorbije vijftien jaar. En hij maakte een boek waarin hij een overzicht van zijn beelden combineert met foto’s die zijn universum oproepen. Twee weken voor de opening zijn de beelden net gearriveerd in de Garage in Mechelen. Men heeft ze her en der neergezet in de achterste ruimte van de kunstplek. Het lijkt alsof het een bizarre, ordeloze kringloopwinkel is. Er is net plaats genoeg om te wandelen tussen deze wirwar van beelden, vormen en meubels, waarin zowel populaire cultuur, stukken interieur, als verwijzingen naar de klassieke beeldhouwkunst vermengd zitten. Die werken zitten vol tegendraadsheid, erotiek en humor. Uiteraard is dit niet de opstelling die de kunstenaar voor zijn tentoonstelling gaat maken. Maar ergens is deze oorspronkelijke wanorde niet ongeschikt als hernieuwde kennismaking met het werk van Anton Cotteleer.
 
Marc HOLTHOF
 
Anton Cotteleer: "Mijn sculpturen hebben geen eeuwige uitstraling zoals we die kennen bij bronzen en marmeren beelden, maar suggereren eerder een tijdelijkheid zoals een dekentje, een gordijn, een behang of een pluchen knuffel."

Praktische Info

‘Behind the curtain’ van Anton Cotteleer tot 6 november in De Garage, Onder de Toren 12, Mechelen, www.cultuurcentrummechelen.be
Werk van Anton Cotteleer is ook te zien op Coup de Ville in Sint-Niklaas.
Het boek bij de tentoonstelling verschijnt bij Borgerhoff & Lamberigts, 144 blz., 34,95 euro.

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In ‘Behind the curtain’ kijkt Anton Cotteleer (°1974, Kalmthout) terug op zijn werk van de voorbije vijftien jaar. En hij maakte een boek waarin hij een overzicht van zijn beelden combineert met foto’s die zijn universum oproepen. Twee weken voor de opening zijn de beelden net gearriveerd in de Garage in Mechelen. Men heeft ze her en der neergezet in de achterste ruimte van de kunstplek. Het lijkt alsof het een bizarre, ordeloze kringloopwinkel is. Er is net plaats genoeg om te wandelen tussen deze wirwar van beelden, vormen en meubels, waarin zowel populaire cultuur, stukken interieur, als verwijzingen naar de klassieke beeldhouwkunst vermengd zitten. Die werken zitten vol tegendraadsheid, erotiek en humor. Uiteraard is dit niet de opstelling die de kunstenaar voor zijn tentoonstelling gaat maken. Maar ergens is deze oorspronkelijke wanorde niet ongeschikt als hernieuwde kennismaking met het werk van Anton Cotteleer.
 
Marc HOLTHOF
 
Anton Cotteleer: "Mijn sculpturen hebben geen eeuwige uitstraling zoals we die kennen bij bronzen en marmeren beelden, maar suggereren eerder een tijdelijkheid zoals een dekentje, een gordijn, een behang of een pluchen knuffel."
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‘Behind the curtain’ van Anton Cotteleer tot 6 november in De Garage, Onder de Toren 12, Mechelen, www.cultuurcentrummechelen.be
Werk van Anton Cotteleer is ook te zien op Coup de Ville in Sint-Niklaas.
Het boek bij de tentoonstelling verschijnt bij Borgerhoff & Lamberigts, 144 blz., 34,95 euro.
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Een zinnelijk hart voor kunst

“De hedendaagse kunstwereld roept mij”, grinnikt Barbara Baert. De kunstwetenschapper vertrekt vanuit haar kennis van de Middeleeuwen om heel breed en wijd naar culturen en maatschappijen te kijken. Geen wonder dat Berlinde de Bruyckere, Jan Fabre, Jan Van Imschoot en anderen op haar kunde beroep doen om zich te ankeren. Niet verbazend ook dat de internationaal gewaardeerde academica de prestigieuze Francqui-prijs 2016 (ook wel eens de Belgische Nobelprijs genoemd) ontving. 

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De jonge Kroatisch-Belgische kunstenares Hana Miletić opent met ‘Materials’ in de Beursschouwburg haar eerste solotentoonstelling in Brussel, en dit in samenwerking met het Bâtard festival. Het nieuwe werk dat ze daar toont, volgt op het ambitieuze samenwerkingsproject ‘Tenir paroles’, waarmee ze in 2015 de BOZAR-prijs van de Young Belgian Art Prize in de wacht sleepte.
 
Sarah KÉSENNE
 
Hana Miletić: "Foto’s naar andere dragers vertalen, brengt traagheid in het proces, en dat laat me toe bepaalde dingen beter te begrijpen. Straatfotografie is een snel en wat agressief medium: je ziet iets en je legt het vast. Weven bracht daartegenover een meer subjectieve, reflectieve benadering. Tegelijk wilde ik ook gewoon tijd en ruimte scheppen om de weefsels te kunnen bekijken, als een toegankelijke vorm waarbij je goed kan zien hoe het materieel in elkaar zit, welke draad onder welke draad zit, bijna documentair."
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Hana Miletić ‘Materials’ van 16 september tot 17 december in Beursschouwburg, Rue A. Ortsstraat 20-28, Brussel. Open wo-za van 12-18 u. www.beursschouwburg.be

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