Beeldend oeuvre van Jef Lambrecht ontsloten

Gepubliceerd op: 12 May 2016

In INBOX M HKA loopt de eerste van een reeks tentoonstellingen met werk van journalist, essayist, schilder, tekenaar, performer, dichter, theaterschrijver en conceptuele kunstenaar Jef Lambrecht. Ze willen een overzicht bieden van zijn voor de buitenwereld veelal onbekende artistieke oeuvre, en werden samengesteld door enkele bevriende kunstenaars.

Praktische Info

‘ver banden’ van Jef Lambrecht

Deel #1  ‘ver beelden’ tot 15 mei in INBOX M HKA. Finissage op do 12 mei om 17u30. www.muhka.be

Deel  #2  ‘ver woorden’ van 19 mei tot 6 juni in het Middelheimmuseum. www.middelheimmuseum.be

Deel  #3 ‘ver wonderen’ van 29 mei tot 26 juni in het Poortgebouw van het Groenkwartier, recht over Lange Leemstraat 387 Antwerpen.

Keywords

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In INBOX M HKA loopt de eerste van een reeks tentoonstellingen met werk van journalist, essayist, schilder, tekenaar, performer, dichter, theaterschrijver en conceptuele kunstenaar Jef Lambrecht. Ze willen een overzicht bieden van zijn voor de buitenwereld veelal onbekende artistieke oeuvre, en werden samengesteld door enkele bevriende kunstenaars.

[cnt_info] =>

‘ver banden’ van Jef Lambrecht

Deel #1  ‘ver beelden’ tot 15 mei in INBOX M HKA. Finissage op do 12 mei om 17u30. www.muhka.be

Deel  #2  ‘ver woorden’ van 19 mei tot 6 juni in het Middelheimmuseum. www.middelheimmuseum.be

Deel  #3 ‘ver wonderen’ van 29 mei tot 26 juni in het Poortgebouw van het Groenkwartier, recht over Lange Leemstraat 387 Antwerpen.

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Met alle Chinezen…

Hebben we nog niet genoeg Chinese artiesten op ons bord gehad? Een vijftal jaar geleden was Chinese hedendaagse kunst het trendy troetelkind van Westerse kunstliefhebbers. Tot we het met z’n allen een beetje moe werden, ook het ‘oi mey mey’ gedram. Maar als het kaf van het koren wordt gescheiden of als rijke verzamelaars zoals Bernard Arnault goede kunstconsultants hebben, komen boeiende dingen te voorschijn. De hink-stap-sprongen tussen Oost en West, tussen verleden en heden zijn dan een mooie levensdans.

Als ‘enfant terrible’ positioneert Xu Zhen zich. De jonge ‘leading man’ (°1977 en een van de jongste Chinese op de Biënnale van Venetië) is dubbel: ironisch, ambivalent, jongleren met diverse beeldtalen en – vormen, spagaat doen tussen Westerse en Oosterse cultuur, rollebollen met marketing, publiciteit, economische en financiële belangen in de kunst, … Amper 22 creëerde hij zijn eigen bedrijfje dat zijn werken uitvoert: ‘MadeIn Company’ . Hij laat Oosten en Westen dan eens botsen, dan eens versmelten zoals met het beeld ‘Eternity’ waarbij een zittende Boeddha geen hoofd heeft maar in zijn hals versmelt wel een Niké van Samothrace. Maar de gevleugelde ‘Overwinning’ staat wel op haar hoofd. Een hoofd dat ze ook niet meer heeft. Boeddha en Niké, allebei zonder hoofd in een onderlinge vervlechting of botsing. Xu Zhen werkte voor deze reproductie met de afgietselateliers van het Louvre. Daarmee ‘ontleent’ hij enerzijds iconische beelden uit de Westerse kunstgeschiedenis. Anderzijds duidt hij met de vinger op de usurpatie van Westerse kunst voor merchandising en commercialisering. Dit metershoge werk is eigendom van de Fondation Vuitton en werd samen met een tiental andere (waaronder die van Ai Wei Wei en de ijzersterke schilders Yan Pei-Ming en Zhang Huan) bovengehaald voor de tijdelijke tentoonstelling ‘Bentu’, georganiseerd samen met het Ullens Centrum for Contemporary Art of Beijing (UCCA). In die tijdelijke selectie zitten verrassingen. De nieuwe lichting Chinese kunstenaars exploreert en hertaalt de oude tradities. Liu Xiadong herneemt – maar op een mossige en fris kleurrijke wijze – de sociaal realistische traditie. Qiu Zhijie schildert – zoals tradities jaren geleden – met inkt op zijde/papier: een soortement arena (is dat de wereld?) met de Engelse inscripties ‘Made in China’, ‘Barbaric Growth’, ‘Daddy Race’, ‘The Pitfalls of Modernisation’, ‘Marshes of Populism’… Kunst die lokaal geworteld is maar een universele draagkracht heeft.

Eliane van den ende  

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‘Bentu’, Chinese artiesten in tijden van turbulentie en transformatie’ en een Chinese selectie uit collectie tot 2 mei in de Fondation Louis Vuitton in het 16e arrondissement in Parijs.Vanaf 10 mei organiseert de Fondation L. Vuitton een tentoonstelling van Daniel Buren. De voorbereidingen zijn al begonnen want de Franse streepjeskunstenaar heeft al de glazen zeilen op het dak aangepakt en dat geeft een vrolijk lentezicht. www.fondationlouisvuitton.fr.

Met dank aan Thalys: www.thalys.com

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Bozar in Brussel doet zijn best om zich te mengen in het debat over de toekomst van Europa. ‘Imagine Europe. In Search of New Narratives’ is een project met een agora voor discussies en twaalf ‘labs’ van kunstenaars en ontwerpers. Het slingert zich als een mol door het gebouw, maar woelt weinig of niets om. Leuk om erdoorheen te drentelen, daar niet van.

 

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‘Imagine Europe. In Search of New Narratives’ (in het kader van het EU-voorzitterschap van Nederland) tot 29 mei in Bozar, Ravensteinstraat 23, Brussel. Vrije toegang. Open di-zo van 10-18 u., do tot 21 u. www.bozar.be

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