Anne Hardy in Museum Boijmans van Beuningen, Rotterdam

Gepubliceerd op: 22 March 2018

Het is alsof je zo een bovenmaatse kijkdoos instapt, zo een met een miniatuurwereld erin, maar nu dan meer dan levensgroot. We betreden Anne Hardy’s installatie ‘Field’ , in de reeks ‘Sensory Spaces’: ruimtevullende installaties net achter de entreebalie, ingeklemd tussen de museumwinkel en de garderobe. De vloer loopt langzaam omhoog naarmate je dieper in het hart van de installatie komt. Je treedt binnen – schoenen uit, voor extra effect! – door het kijkgat, dat eruit ziet als een muurtje, opgebouwd uit board en hout.

Machteld LEIJ

Praktische Info

Anne Hardy,’ Sensory Spaces 13’, tot 27 mei in Museum Boijmans van Beuningen, Museumpark 18-20, Rotterdam, NL. Open di-zo van 11-17 u. www.boijmans.nl

Keywords

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Het is alsof je zo een bovenmaatse kijkdoos instapt, zo een met een miniatuurwereld erin, maar nu dan meer dan levensgroot. We betreden Anne Hardy’s installatie ‘Field’ , in de reeks ‘Sensory Spaces’: ruimtevullende installaties net achter de entreebalie, ingeklemd tussen de museumwinkel en de garderobe. De vloer loopt langzaam omhoog naarmate je dieper in het hart van de installatie komt. Je treedt binnen – schoenen uit, voor extra effect! – door het kijkgat, dat eruit ziet als een muurtje, opgebouwd uit board en hout.

Machteld LEIJ

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Anne Hardy,’ Sensory Spaces 13’, tot 27 mei in Museum Boijmans van Beuningen, Museumpark 18-20, Rotterdam, NL. Open di-zo van 11-17 u. www.boijmans.nl

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De Hortus Botanicus in Amsterdam ligt er koud en stil bij in de paar dagen dat de winter nog even haastig opflikkert. Bomen zijn verpakt tegen de vrieskou. Maar in de tropische kassen is het vochtig en warm als altijd. In de vlinderkas fladderen de vlinders rond alsof het eeuwig zomer is. Saskia Noor van Imhoff wil er afspreken. Niet omdat ze duidelijk wil maken dat onze maatschappij een kunstmatige constructie is, maar gewoon omdat ze er graag komt. Al vindt ze de kassen wel degelijk fascinerend, omdat ze zo duidelijk hun functie tonen. De architectuur verhult niets.

Machteld LEIJ

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Saskia Noor van Imhoff, ‘#+32.00.Hot-bain marie drop-in’, Winnaar 7e editie ABN-AMRO kunstprijs 2017, tot 15 juli in De Hermitage Amsterdam, Amstel 51, Amsterdam, NL. Open ma-zo van 10-17 u. www.hermitage.nl

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Zouden bouwposters nou echt een goed idee zijn? Je vraagt het je af wanneer je de tentoonstelling van Emma van der Put bekijkt in A Tale Of A Tub, een tentoonstellingsplatform in Rotterdam. Het is een tentoonstelling die bestaat uit drie videowerken en een foto. Ze gaan over architectuur, waarbij één video met shots van buiten die bouwposters toont. Het zijn op bouwdoek geprinte posterfoto’s die prachtige façades beloven, glanzend van staal en glas onder een lucht met eeuwige zonneschijn. Maar Van der Put laat zien hoe je dat soort beelden in de dagelijkse praktijk vaak tegenkomt: op straat, tegen hekwerken, waarachter werkzaamheden plaatsvinden met alle troep die daarbij hoort. Deze rotzooi contrasteert dusdanig met die schoonheid op de digitale fotomontages, dat het verschil in het nadeel van beide kanten werkt. De beloofde nieuwbouw wordt onwaarschijnlijk, de bouwput lijkt nog viezer.

Sandra SMETS

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Emma van der Put ‘Mall of Europe’ tot 15 april in A Tale Of A Tub, Justus van Effenstraat 44, Rotterdam. Open vr-zo van 13-18 u. www.a-tub.org

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