Anetta Mona Chişa & Lucia Tkáčová in Cultuurcentrum Strombeek

Gepubliceerd op: 19 April 2018

‘a no, A voLcanic attaCk, a hiT, a Muse’ in Cultuurcentrum Strombeek is de eerste grote tentoonstelling in België van Anetta Mona Chişa & Lucia Tkáčová. Geen militant gedoe, maar een metaforisch landschap. Het komt over als een donker sprookje, slingerend tussen een ver verleden en een verre toekomst. Het energieke duo kaapt en updatet ook methodes van Madame Soleil. Kunst als waarzeggerij, en echt over ons tijdperk.

Christine VUEGEN

 

Praktische Info

Anetta Mona Chişa & Lucia Tkáčová, ‘a no, A voLcanic attaCk, a hiT, a Muse’, Museumcultuur Strombeek/Gent tot 23 mei en De Wand: Hannelore Van Dijck, ‘The din is the applause of objects’ tot 30 september in Cultuurcentrum Strombeek, Gemeenteplein z/n, Strombeek-Bever. Open ma-za van 10-22 u., zo van 10-18 u. Gesloten op feestdagen. www.ccstrombeek.be

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‘a no, A voLcanic attaCk, a hiT, a Muse’ in Cultuurcentrum Strombeek is de eerste grote tentoonstelling in België van Anetta Mona Chişa & Lucia Tkáčová. Geen militant gedoe, maar een metaforisch landschap. Het komt over als een donker sprookje, slingerend tussen een ver verleden en een verre toekomst. Het energieke duo kaapt en updatet ook methodes van Madame Soleil. Kunst als waarzeggerij, en echt over ons tijdperk.

Christine VUEGEN

 

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Anetta Mona Chişa & Lucia Tkáčová, ‘a no, A voLcanic attaCk, a hiT, a Muse’, Museumcultuur Strombeek/Gent tot 23 mei en De Wand: Hannelore Van Dijck, ‘The din is the applause of objects’ tot 30 september in Cultuurcentrum Strombeek, Gemeenteplein z/n, Strombeek-Bever. Open ma-za van 10-22 u., zo van 10-18 u. Gesloten op feestdagen. www.ccstrombeek.be

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De zesde editie van de Kunsttriënnale Beaufort presenteert negentien kunstwerken van achttien hedendaagse kunstenaars gespreid over de Belgische kust, van Knokke-Heist tot De Panne. De rode draad is de rol van ‘het monument’ in de openbare ruimte, het resultaat is boeiend maar net iets te vrijblijvend: Beaufort 2018 zou wat meer stof mogen doen opwaaien.

Eric RINCKHOUT

 

[cnt_info] =>

‘Beaufort’ tot 30 september in negen kustgemeenten. www.beaufort2018.be

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In de Antwerpse galerie (re)D. loopt de expo ‘The Aesthetics of Sin’ van de Iranese schilder Maryam Najd, wonend en werkend in Antwerpen. De titel is revelerend: het werk van Najd, die haar schilderopleiding kreeg in Teheran en nadien vervolmaakte aan de Academie van Antwerpen, zit vol dualiteit. Najd werkt zowel figuratief als puur abstract, ze heeft het over westerse thema’s even goed als over oosterse, feminisme versus macho, (Iran-)revolutie versus consumptie, naakt versus porno, tv-beelden versus realiteit enzovoorts.

In (re)D. toont ze nu een reeks schilderijen van naakte lichamen, mannen en vrouwen, wat haar op Facebook overigens een censuuringreep opleverde. Die schilderijen zijn ongemeen sterk in kwaliteit en worden afgewisseld met ogenschijnlijk monochrome werken, maar eigenlijk zijn dat de gecensureerde pendanten van de werken die er naast hangen.

Want daar gaat het in deze tentoonstelling om: paradox, tegenstelling, dualiteit. Het draait in essentie om ‘censorship’, met de expliciet naakte beelden enerzijds, waarover een voile van donkerte hangt, en de even donkere abstracte monochrome pendanten. Maryam Najd: “De problematiek van het naakt en de erotiek is niet meer alleen geldig in Iran en de rest van het Oosten, maar nu ook in het Westen, zie het hele #metoo-gebeuren. Er duikt nu een vorm van zelfcensuur op, eerder dan censuur. Daar wil ik mee spelen. Het duistere werkt zowel op erotiek als op censuur.”

Najd schilderde eerder een hele reeks zogeheten ‘zelfportretten’, ook al waren de afgebeelde figuren bekende en minder bekende mensen uit haar omgeving. Maar het duidde op waar ze voor staat: niets is wat het is, de wereld bedriegt zichzelf. Met de naakten die ze nu toont zie je de ‘Aesthetics of Sin’: de schoonheid van het verbodene. Facebook speelde daar een trieste rol in. En ook dit: al die naaktfiguren, gehuld in een beladen donkerte, hebben haast lichtgevende voeten. Want voeten mogen bloot getoond worden, in elke wereldreligie.

MR

 

 

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Maryam Najd, ‘The Aesthetics of Sin’ in (re)D., Mechelsesteenweg 4 Antwerpen, tot 19 mei. www.redgallery.be

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