Aanrader: 'Hopen op de goden' met Nadia Naveau en Anton Cotteleer

Gepubliceerd op: 8 December 2017

In H ART #176 zult u een bespreking terugvinden over de tentoonstelling met werk van Anton Cotteleer in The White House Gallery. Als u meer wilt weten over deze Belgische beeldhouwer en over hoe zijn werk tot stand komt, kunt u zondag a.s. 10 december (20u15) misschien kijken naar het Canvasprogramma 'Hopen op de goden' .

De zesdelige documentaire reeks ‘Hopen op de goden’ bracht twaalf Belgische kunstenaars in beeld die voor hiervoor een jaar lang gefilmd werden. Het uitgangspunt van deze reeks is waar hun inspiratie vandaan komt, wat hun drijft om werk te maken en hoe hun werk tot stand komt. In de eerste aflevering kwamen de schilder Fred Bervoets & tekenaar Rinus Van de Velde al aan bod. In de tweede aflevering was het de beurt aan de fotografen Max Pickers en Lara Gasparotto.  In de aflevering van komende zondag komen de beeldhouwers Nadia Naveau en Anton Cotteleer in beeld.
 

Praktische Info

'Hopen op de goden' met Nadia Naveau en Anton Cotteleer op zondag 10 december om 20u15; een herhaling volgt op maandag 11 december om 18u . De voorbije afleveringen zijn online te bekijken op: www.vrt.be/vrtnu/

Keywords

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In H ART #176 zult u een bespreking terugvinden over de tentoonstelling met werk van Anton Cotteleer in The White House Gallery. Als u meer wilt weten over deze Belgische beeldhouwer en over hoe zijn werk tot stand komt, kunt u zondag a.s. 10 december (20u15) misschien kijken naar het Canvasprogramma 'Hopen op de goden' .

De zesdelige documentaire reeks ‘Hopen op de goden’ bracht twaalf Belgische kunstenaars in beeld die voor hiervoor een jaar lang gefilmd werden. Het uitgangspunt van deze reeks is waar hun inspiratie vandaan komt, wat hun drijft om werk te maken en hoe hun werk tot stand komt. In de eerste aflevering kwamen de schilder Fred Bervoets & tekenaar Rinus Van de Velde al aan bod. In de tweede aflevering was het de beurt aan de fotografen Max Pickers en Lara Gasparotto.  In de aflevering van komende zondag komen de beeldhouwers Nadia Naveau en Anton Cotteleer in beeld.
 

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Het collectief van curators HELD (Wilfried Huet, Dirk Engelen, Stella Lohaus, Isabel Devriendt) stelde een nieuwe tentoonstelling samen voor het Koninklijk Atheneum van Antwerpen. Daar zitten leerlingen van meer dan 50 nationaliteiten samen en weerspiegelen zich dan ook de grote maatschappelijke vragen van vandaag. Net als andere tentoonstellingen die in het Atheneum plaats vinden en die tot doel hebben complexe problemen bespreekbaar te maken, is ook ‘I travelled the world and the seven seas’ daar een poging toe.
HELD selecteerde voor de tentoonstelling per land waar de leerlingen vandaan komen één videowerk en weeft zo een subtiel netwerk. Zo zagen we o.a. 'The musical chair' (2007) van Ruben Bellinkx (België), waarin drie honden een stoel aanvallen en Angel Vergara Santiago (Spanje) die letterlijk het landschap schildert. Maar er zijn ook veel onbekende kunstenaars te ontdekken. In het persbericht heet het: ‘De selectie van de werken is uitermate delicaat omdat het gericht is op het betrekken van de leerlingen in dit artistieke project, maar evenzeer op het overstijgen van de lokale omgeving. HELD ervaart dit project als een unieke kans om, vertrekkende vanuit een reëel en concreet gegeven, een gegrond globaal en internationaal project te verwezenlijken.’
Bij de perspreview van de tentoonstelling werd eveneens gedrukt op hoe alle verschillende nationaliteiten samen de eenheid en bijzonderheid van de school uitmaken. Directrice Karin Heremans parafraseerde daarvoor 'A Syntax of Dependency' aan van Lawrence Weiner: hoe de betekenis van woorden pas ontstaat door ze samen in een zin te plaatsen; Wilfried Huet haalde dan weer een heel kort gedicht dat Mohammed Ali ooit uitsprak: 'Me We'.
 
De video’s worden enerzijds simultaan op de vloer van AthenA Zaal getoond; daarnaast zijn ze te zien binnen de cinematografische setting van een zaal.

 

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‘I travelled the world and the seven seas’ tot 19 november in GO! Koninklijk Atheneum Antwerpen, AthenA Zaal, Franklin Rooseveltplaats 11, Antwerpen. Open di-zo van 14-18 u. Gratis toegang.

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Omdat ik de verantwoordelijkheid heb opgenomen voor de selectie van het tentoonstellingsprogramma van S.E.A.S. – Scharpoord Experimental Art Space, de permanente tentoonstellingsruimte voor jonge, professionele beeldende kunstenaars van Cultuurcentrum Scharpoord, Knokke-Heist, bezocht ik eind juni, begin juli de Mastershows van het Hoger Vlaams Kunstonderwijs. S.E.A.S. staat open voor startende kunstenaars die nog niet eerder een solotentoonstelling hadden. De Mastershows bieden op het einde van elk academiejaar ruimte aan de afzwaaiende jongeren van de Masteropleidingen. Geen beter domein voor mij en voor vele anderen om te prospecteren dan de Mastershows van de afdelingen Vrije of Beeldende Kunsten.

Jo COUCKE

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