‘A line is a line is a line’ in Cultuurcentrum Strombeek

Gepubliceerd op: 22 October 2015

Opnieuw sluit Museumcultuur Strombeek/Gent van het Cultuurcentrum Strombeek aan bij het S.M.A.K. in Gent, waar ‘The Bottom Line’ zich concentreert op tekenkunst. ‘A line is a line is a line’ oogt redelijk conventioneel, maar is toch non-conformistisch. Een goedgevulde tentoonstelling, afgekruid met weerbarstige humor. Departement tekenkunst, sectie radicale posities en krachtbeelden: zo zou je het kunnen noemen.

Praktische Info

‘A line is a line is a line’ en ‘Mer. Station 17: A New Spirit in Booking’ tot 13 december in Cultuurcentrum Strombeek, Gemeenteplein z/n, Strombeek-Bever. Open ma-za van 10-22 u., zo van 10-18 u. www.ccstrombeek.be

Boek ‘Museum’: een panorama in woord & beeld van Museumcultuur Strombeek/Gent 2013-2014, uitgegeven door Museumcultuur Strombeek/Gent & MER. Paper Kunsthalle, 2015, NL-EN, 384 pp., 35 euro.

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Opnieuw sluit Museumcultuur Strombeek/Gent van het Cultuurcentrum Strombeek aan bij het S.M.A.K. in Gent, waar ‘The Bottom Line’ zich concentreert op tekenkunst. ‘A line is a line is a line’ oogt redelijk conventioneel, maar is toch non-conformistisch. Een goedgevulde tentoonstelling, afgekruid met weerbarstige humor. Departement tekenkunst, sectie radicale posities en krachtbeelden: zo zou je het kunnen noemen.

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‘A line is a line is a line’ en ‘Mer. Station 17: A New Spirit in Booking’ tot 13 december in Cultuurcentrum Strombeek, Gemeenteplein z/n, Strombeek-Bever. Open ma-za van 10-22 u., zo van 10-18 u. www.ccstrombeek.be

Boek ‘Museum’: een panorama in woord & beeld van Museumcultuur Strombeek/Gent 2013-2014, uitgegeven door Museumcultuur Strombeek/Gent & MER. Paper Kunsthalle, 2015, NL-EN, 384 pp., 35 euro.

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In wat letterlijk de moedergalerie is van Dennis Tyfus en Vaast Colson (Vansteensel & De Caigny Gallery, naar de namen van hun moeders) toont Dennis Tyfus een weekend lang een aantal nieuwe werken. Het betreft een videowerk waarin we de kunstenaar zien optreden als een bijzonder strenge meester die met zijn klas de verbuiging van het werkwoord ‘mosselen’ overloopt. Dit naar analogie met het werkwoord ‘smurfen’ waarmee de Smurfen elk onbelangrijk werkwoord vervangen.

Daarbij aansluitend toont de kunstenaar een reeks collages. Tyfus gebruikte voor de collages een naaktkalender voor sportvissers (uitgegeven door een fabrikant van vislijnen) met weinig aan de verbeelding overlatende foto’s van naakte vrouwen die in de weer zijn met grote vissen. Her en der voegde hij oogjes toe of perforeerde hij letters weg, zodat onder de beelden uitroepen overblijven als ‘ai, ai, ai’, ‘ril, ril, ril’ en ‘rrrrr’.

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Dennis Tyfus, 'Mosselen (werkwoord)' tot 18 oktober in Vansteensel & De Caigny Gallery, Ernest Van Dijckkaai 4, Antwerpen. Open vr-za-zo van 14-17u. www.ultraeczema.be

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Freelance curator Edwin Carels doet al geruime tijd onderzoek naar het bewegend beeld in de beeldende kunst. Dit leidde onder meer vorig jaar tot het behalen van een doctoraat aan het KASK en de groepsexpo ‘El Hotel Eléctrico’ in het M HKA in Antwerpen. Recent startte Carels een postdoc aan het KASK. Hij is één van de weinige doctorandi die zo zijn onderzoek kan verderzetten. Jaarlijks wil hij hier een tentoonstelling aan koppelen in een Gentse culturele instelling. De eerste in dit kader gaat door in Croxhapox – ze wordt opgebouwd op het moment dat deze H ART reeds in druk is. Om me er een beeld van te vormen, voer ik een gesprek met de curator.

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‘Kosmografia’ in Croxhapox tot 15 november in Croxhapox Lucas Munichstraat 76, Gent. www.croxhapox.org

Met werk van Leo Copers, Jennifer Debauche, Jonas Mekas, Philip Newcombe, Quay Brothers, Laura Van, Jelena Van Overbeek, Various Artists.

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